{"title":"Books","description":"","products":[{"product_id":"karma-oscar-monzon","title":"Karma","description":"\u003cdiv class=\"rtejustify\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eIn \u003cem\u003eKarma\u003c\/em\u003e, a project developed in Madrid between 2009 and 2013, Óscar Monzón focuses on the car as a means of transportation that is not entirely distinct from the person who inhabits it, for the vehicle is in itself a product of the wheel that endlessly spins inside us.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003eKarma\u003c\/em\u003e explores a range of unconscious human behaviours imprinted on our memory. In terms of the relationship we establish with the car, these forms of conduct materialise in specific ways: detachment, competition, aggressiveness.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eApplying a visual language that eliminates the illusion of depth and emphasises abstraction, \u003cem\u003eKarma\u003c\/em\u003e brings us up close to the paradoxical intimacy provided by the car within public space, reflecting its occupants’ attitudes. The sequence of images combine human skin with aggressively designed bodyworks; headlights in the night conjure the image of wild animals; close-up flashes confront the people portrayed.\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eUltimately, this work reveals the social and aesthetic evolution of humankind, driven by our abiding desire to attain the perfection of a machine.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eISBN 979-10-90306-25-7\u003cbr\u003eSecond Edition\u003cbr\u003eRVB Books\/Dalpine, 2014\u003cbr\u003eEditorial coordination: Gonzalo Golpe\u003cbr\u003eDesign: Eloi Gimeno\u003cbr\u003ePrepress: Víctor Garrido\u003cbr\u003eSoftcover\u003cbr\u003e128 pages\u003cbr\u003e21 x 29,7 cm\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"http:\/\/www.aperture.org\/blog\/announcing-winners-paris-photo-aperture-foundation-photobook-awards-2013\/\"\u003e\u003cstrong\u003eWinner of The Paris Photo-Aperture Foundation First Photobook Award 2013\u003c\/strong\u003e\u003c\/a\u003e\u003c\/div\u003e","brand":"Oscar Monzón","offers":[{"title":"Default Title","offer_id":35297139149,"sku":"KARMA","price":38.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/karma-816029.jpg?v=1679852012"},{"product_id":"mediodia","title":"Mediodia","description":"\u003cp\u003eMadrid’s Atocha station was formerly known as Mediodía (Midday), as it was the city’s Southbound railway hub. This is the location where David Hornillos worked between 2011 and 2014, during the central hours of the day.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMediodía\u003c\/em\u003e presents an enveloping world of orange brick bathed in a vibrant light that irresistibly draws in and traps all living beings like a dragnet.\u003c\/p\u003e\n\u003cp\u003eWith the colour orange in a leading role, David’s work faces the viewer against this brick wall, drawing him into the atmosphere of a stifling and hypnotic mental state. \u003c\/p\u003e\n\u003cp\u003eISBN 978-84-616-9918-6 \u003cbr\u003eDalpine, 2014\u003cbr\u003eEditing: Antonio Xoubanova, David Hornillos\u003cbr\u003eDesign: Eloi Gimeno\u003cbr\u003ePrepress: Víctor Garrido\u003cbr\u003eSoftcover\u003cbr\u003e128 pages\u003cbr\u003e18.8 x 13.2 cm\u003cbr\u003eEdition of 600 copies\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"http:\/\/2014.fotobookfestival.org\/photobook-award-2014\/\"\u003eNominated for the Photobook Award Kassel 2014 Best Book of the Year \u003c\/a\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"David Hornillos","offers":[{"title":"Default Title","offer_id":35297235853,"sku":"MEDIODIA","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/mediodia-707710.png?v=1679852029"},{"product_id":"xy-xx","title":"XY XX","description":"\u003cp\u003eAn inner courtyard faces a row of rooms where prostitutes take their clients. Out of view at an opposite window, the photographer witnesses what should remain unseen. Issues such as prostitution or pornography only become problematic when the system, or a society at the service of that system, deem them to be so. Nor would they exist in the absence of a legal framework that lays down the limits of what can and cannot be seen in public. In this context, sex becomes a control mechanism.\u003c\/p\u003e\n\u003cp\u003eWhile most cameras today strive to erase any trace of digital noise, here it is exploited to the maximum effect. The exaggerated sensitivity used to cut out the subject also blurs and alters the message. This overpowering noise is our own subconscious, the mental sphere were sex operates as a catalyst for our instinct, our desire and our contradictions.\u003c\/p\u003e\n\u003cp\u003eISBN 978-84-617-0316-6 \u003cbr\u003eDalpine, 2014\u003cbr\u003eEditing: Fosi Vegue + Eloi Gimeno\u003cbr\u003eDesign: Eloi Gimeno\u003cbr\u003ePrepress: Víctor Garrido\u003cbr\u003e108 pages\u003cbr\u003e24 x 16 cm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Fosi Vegue","offers":[{"title":"Default Title","offer_id":35297404109,"sku":"XYXX","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/xy-xx-666154.png?v=1679852041"},{"product_id":"grass-michelle-tagliaferri","title":"Grass","description":"\u003cp\u003eBecause of its own nature, every photograph is born to reproduce an image. Faces, stories and landscapes are all framed and fixed forever within the four corners of the print. Nevertheless, it would be wonderful if these corners could be somehow opened, thus breaking the perimeter of the photograph and letting the image return to the world it once came from.\u003c\/p\u003e\n\u003cp\u003eEvery thing, every person, every single image is imprisoned within its own figure, within the corners of the shape it has fallen into. But if we manage to scratch the surface enveloping it, it is possible to grasp the energy kept within. An invincible energy that creates, transforms and destroys the life that surrounds us. \u003c\/p\u003e\n\u003cp\u003eThe photographs in \u003cem\u003eGRASS\u003c\/em\u003e search for this energy.\u003c\/p\u003e\n\u003cp\u003eAs we do.\u003c\/p\u003e\n\u003cp\u003eISBN 978-84-606-8607-1\u003cbr\u003eDalpine, 2015\u003cbr\u003eDesign: -SYB-\u003cbr\u003ePrepress: La Troupe\u003cbr\u003eSoftcover\u003cbr\u003e96 pages\u003cbr\u003e31 x 22 cm\u003cbr\u003eEdition of 600 copies\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"http:\/\/www.dalpine.com\/en\/book\/a-companion-to-michele-tagliaferris-grass\"\u003eTake a look to \u003cem\u003eA Companion to Michele Tagliaferri's GRASS\u003c\/em\u003e here\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Michele Tagliaferri","offers":[{"title":"Default Title","offer_id":35309979405,"sku":"GRASS","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/grass-876587.jpg?v=1679852012"},{"product_id":"podria-haberse-evitado","title":"Podria Haberse Evitado","description":"\u003cp\u003eHidden in the mountain, a man is watching. A tragedy is unfolding before his eyes. He attentively observes the individuals who are discreetly yet inconspicuously moving around the territory and records all the information. The investigator does not know yet what he is consigning; he’s still missing elements to complete the whole picture, get a sense of what is actually going on at his feet, but he does not want to miss anything. He does not need to move to grasp the whole scene; from his position, everything is available to his gaze: men walking around in open spaces, traffic, transit; men waiting, hideaways and hideouts, furtive conversations, notices and deliveries; open land where no one ever goes, houses under construction, crime scenes; crossroads, cars with open doors, ways to escape. \u003c\/p\u003e\n\u003cp\u003eWhen suspicion emerges, when trust has been shaken, anything becomes suspicious, forever. From there, the world can no longer be seen through innocent eyes.  \u003c\/p\u003e\n\u003cp\u003eDalpine\/Temple galerie et éditions, 2015\u003cbr\u003eDesign: Pierre Hourquet\u003cbr\u003eSoftcover\u003cbr\u003eSaddle stitch binding\u003cbr\u003e44 pages\u003cbr\u003e29,7 x 21 cm\u003cbr\u003eText: Luis López Navarro\u003cbr\u003eTranslation: Frédérique Destribats\u003cbr\u003eLanguages: Spanish\/English\/French\u003cbr\u003eEdition of 200 copies \u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Ricardo Cases","offers":[{"title":"Default Title","offer_id":35310207437,"sku":"PODRIAHABERSE","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/podria-haberse-evitado-191694.jpg?v=1679852027"},{"product_id":"blackcelona-salvi-danes","title":"Blackcelona","description":"\u003cdiv align=\"right\" style=\"text-align: left; padding-left: 30px;\"\u003e\u003cem\u003eI feel at ease here, in this city.\u003cbr\u003eI’m in the middle of the jungle. A harsh concrete forest\u003cbr\u003ewith brick caves \u003cbr\u003ewhere miserable and cowardly beings \u003cbr\u003ehide with their most valued belongings.\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv align=\"right\" style=\"text-align: left; padding-left: 30px;\"\u003e\n\u003cem\u003e\u003cbr\u003e\u003c\/em\u003eJ. M. Fonollosa,\u003cem\u003e Ciudad del hombre: New York\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cp align=\"right\" style=\"text-align: left;\"\u003e\u003cem\u003e\u003cbr\u003e\u003c\/em\u003eAny metropolis is a formidable fabric, a tentacular mess, a deafening polyphony where what is most evident in broad daylight hides its darker features, its more sinister face and the myriad details of anxiety, loneliness and failure.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cem\u003eBlackcelona\u003c\/em\u003e charts a journey into the greyer tones of that urban polychromy, guiding us through the chiaroscuro that engulfs the city's very morphology and the creatures that inhabit it.\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003eThe images in \u003cem\u003eBlackcelona\u003c\/em\u003e build a story where a narrative thread is suggested from the first to the last picture but, rather than establishing an unambiguous account, the book is an invitation to an experience; an aesthetic adventure seasoned with the grotesque, the dark, the occult...\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e \u003c\/p\u003e\n\u003cp align=\"right\" style=\"text-align: left;\"\u003eISBN 978-84-606-8293-6\u003cbr\u003eDalpine, 2015\u003cbr\u003eEditing: Salvi Danés \u0026amp; Román Yñán\u003cbr\u003eDesign: Opisso Studio\u003cbr\u003ePrepress: Víctor Garrido\u003cbr\u003eEmbossed hardcover \u003cbr\u003e128 pages\u003cbr\u003e83 images\u003cbr\u003e18,8 x 14,8 cm\u003cbr\u003eEdition of 500 copies\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003eReviews: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003ca href=\"http:\/\/colinpantall.blogspot.com.es\/2015\/11\/blackcelona-not-so-much-noir-as-charcoal.html\"\u003eColin Pantall\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003ca href=\"http:\/\/fotografiamagazine.com\/blackcelona-salvi-danes\/\"\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003ca href=\"http:\/\/www.yet-magazine.com\/post\/blackcelona\"\u003eYET Magazine\u003c\/a\u003e\u003c\/strong\u003e\u003cspan\u003e \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003e\u003ca href=\"http:\/\/www.dazeddigital.com\/photography\/article\/28998\/1\/the-photography-talent-making-waves-this-month\"\u003eDazed\u003c\/a\u003e\u003c\/strong\u003e\u003cbr\u003e\u003ca href=\"http:\/\/diarios.detour.es\/ventanas\/salvi-danes-ciudad-oscura-por-francisca-pageo\"\u003e\u003cstrong\u003eDétour\u003c\/strong\u003e\u003c\/a\u003e \u003cbr\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/e-lur.net\/biblioteca\/blackcelona\/\"\u003eLur estudios visuales\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: left;\"\u003e\u003cstrong\u003e\u003ca href=\"http:\/\/www.rencontres-arles.com\/C.aspx?VP3=CMS3\u0026amp;VF=ARLAR1_460_VForm\u0026amp;FRM=Frame%3AARLAR1_457\"\u003eShortlisted for the Rencontres d'Arles Author Book Award 2016\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Salvi Danés","offers":[{"title":"Default Title","offer_id":35590180301,"sku":"BLACKCELONA","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/blackcelona-256836.jpg?v=1679852003"},{"product_id":"the-castle","title":"The Castle","description":"\u003cp\u003eSomething more than just a group of nations or the designation of a geographical area, Europe can be understood as an idea, or a set of ideas. The idea of Europe shapes and fuels the history of a considerable part of our planet, starting from ancient Greece and the Roman Empire on to the great colonial powers of the last few centuries. The aim of this series of photographs is to follow the traces these ideas have left upon the surface of things and people in post-WW2 Europe, as well as on the walls of its cities, in the galleries of the museums in which its history is conserved, and on the barriers that are raised to define and defend the borders of its territories.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Castle\u003c\/em\u003e is a building made with images and it consists of four parts. Its first chapter, “The Dead”, refers to its modern founding myth: the events that led to the contemporary European order. Chapter two, “The Organising Principles”, deals with the ideas of power and authority that are at the basis of European societies. Chapter three, “The Castle”, explores the resulting building by evidencing its elements of separation and control. Finally, the fourth and last chapter, “At Twilight”, is at the same time a prophecy and an exhortation. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eISBN 978-84-608-5359-6\u003cbr\u003eDalpine, 2016\u003cbr\u003ePhotographs and editing: Federico Clavarino\u003cbr\u003eDesign: Federico Clavarino \u0026amp; Tres Tipos Gráficos\u003cbr\u003ePrepress: La Troupe\u003cbr\u003eSoftcover\u003cbr\u003e160 pages\u003cbr\u003e29.7 x 21 cm\u003cbr\u003e\u003c\/span\u003eEdition of 850 copies\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.dalpine.com\/en\/book\/a-companion-to-federico-clavarinos-the-castle\"\u003e\u003cstrong\u003eTake a look at \u003cem\u003eA Companion to Federico Clavarino's The Castle\u003c\/em\u003e here\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Federico Clavarino","offers":[{"title":"Default Title","offer_id":35591300237,"sku":"THECASTLE","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/the-castle-436795.jpg?v=1679852037"},{"product_id":"ama-lur-jon-cazenave","title":"Ama Lur","description":"\u003cp\u003e\u003cem\u003eAMA LUR \u003c\/em\u003eis the closing chapter of Galerna, an investigation project that Jon Cazenave embarked on 8 years ago. \u003c\/p\u003e\n\u003cp\u003eIn the course of these years, the artist has compiled a visual repertoire of the Basque people’s idiosyncrasy and aesthetics, in an attempt to unravel his homeland’s political intricacy from an anthropological perspective.\u003c\/p\u003e\n\u003cp\u003eHarking back to the Late Stone Age, Cazenave focuses his inquiry on the symbolic and ritualistic world of cave paintings on both sides of the Pyrenean watershed, reinterpreting the traces left behind by the human beings who inhabited that environment.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAMA LUR\u003c\/em\u003e thus challenges the notion of the border and reveals a territory loaded with history and magic. Delving into the Earth’s deepest recesses, Cazenave connects us with a universe that appeals to humankind’s ancestral spirit and to our balance with nature, a belief system that still guides us to this day.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003eISBN 978-84-617-3714-7\u003cbr\u003eDalpine, 2015\u003cbr\u003eEditing and design: Jon Cazenave + Eloi Gimeno\u003cbr\u003ePrepress: La Troupe\u003cbr\u003eCoordination: Gonzalo Golpe\u003cbr\u003eSoftcover with slipcase\u003cbr\u003e25,5 x 19 cm\u003cbr\u003e64 pages\u003cbr\u003eEdition of 500 copies \u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Jon Cazenave","offers":[{"title":"Default Title","offer_id":35707893517,"sku":"AMALUR","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/ama-lur-122457.jpg?v=1679851999"},{"product_id":"eden-bernardita-morello","title":"Eden","description":"\u003cp\u003eThe Eden was described in the biblical narration as a magic and charmed place, a lustful garden where the first man was born. That man, as he couldn’t resist the temptation, tasted the fruit of sin and he was dropped out from that place of wonders and perfection. \u003c\/p\u003e\n\u003cp\u003eThousand of years have passed since that story was written down, but it looks like humans haven’t healed from that ancient hurt yet. Still today we constantly try with anguish and fatigue to get back to the heaven on earth we have lost.\u003c\/p\u003e\n\u003cp\u003eThat’s why the dreams and ambitions of the humans continuously go towards this ideal of wellness and perfection, so ambiguous as unrealizable. We desire a perfect body. A perfect love and perfect family. A house and a garden perfectly cared. But every time we try to build around us our little personal paradise we constantly fall down, faced to the enormous and miserable course of life. \u003c\/p\u003e\n\u003cp\u003eWhat is left, outside of the Eden gardens, is the world inhabited by a finite, unresolved and sometimes painful reality. The images of eden show this reality: the only one we can know. They invite us to discover the delight behind the defect, the beauty behind the imperfection.  They make us enjoy what we have and often we let it slip away, distracted following the desire of an imaginary idyl. With them we abandon the illusions, the false expectations of existence and we meet life, as it is and as it will always be. \u003cem\u003eNadie sabe que todo está acá.\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv\u003eISBN 978-84-608-9312-7\u003cbr\u003eFiebre, 2016\u003cbr\u003eDesign: Eloi Gimeno\u003cbr\u003ePre-press: La Troupe\u003cbr\u003eSoftcover\u003cbr\u003e33 x 21 cm\u003cbr\u003e80 pages\u003c\/div\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eReviews:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.loeildelaphotographie.com\/en\/2016\/12\/09\/article\/159929749\/bernardita-morello\/\"\u003e\u003cstrong\u003eL'Oeil de la Photographie\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Bernardita Morello","offers":[{"title":"Default Title","offer_id":35758001869,"sku":"EDEN","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/eden-614877.jpg?v=1679851998"},{"product_id":"a-companion-to-michelle-tagliaferri-grass","title":"A Companion to Michele Tagliaferri's 'Grass'","description":"\u003cp\u003eDuring 2016 Temple and Dalpine have partnered to start a cycle of exhibitions that, taking a number of publications as a starting point, bring the works of various photographers to Temple Gallery. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA Companion to…\u003c\/em\u003e is the series of publications that accompany each of the exhibitions with the aim of offering new perspectives on the works presented.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA Companion to Michele Tagliaferri’s\u003c\/em\u003e \u003cem\u003e‘Grass’ \u003c\/em\u003ewidens the scope of his project offering a new series of images not included in the the book and excerpts of texts by Walt Whitman’s \u003cem\u003eLeaves of Grass\u003c\/em\u003e and Jorge Luis Borges’ \u003cem\u003eOtro poema de los dones\u003c\/em\u003e, poems that have been a considerable source of inspiration for Tagliaferri to achieve his photographic work.\u003c\/p\u003e\n\u003cp\u003eDalpine\/Temple, 2016\u003cbr\u003eSoftcover\u003cbr\u003e28 pages\u003cbr\u003e21 x 26,5 cm\u003cbr\u003eEdition of 200 copies\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"\/en-eu\/products\/grass\"\u003e\u003cstrong\u003eTake a look at \u003ci\u003eGrass\u003c\/i\u003e here\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Michele Tagliaferri","offers":[{"title":"Default Title","offer_id":35862453901,"sku":"COMP-GRASS","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/a-companion-to-michele-tagliaferris-grass-621522.jpg?v=1679851998"},{"product_id":"a-companion-to-federico-clavarino-the-castle","title":"A Companion to Federico Clavarino's 'The Castle'","description":"\u003cp\u003eDuring 2016 Temple and Dalpine have partnered to start a cycle of exhibitions that, taking a number of publications as a starting point, bring the works of various photographers to Temple Gallery. \u003cbr\u003e\u003cem\u003e\u003cbr\u003eA Companion to…\u003c\/em\u003e is the series of publications that accompany each of the exhibitions with the aim of offering new perspectives on the works presented.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA Companion to Federico Clavarino’s\u003c\/em\u003e \u003cem\u003e‘The Castle’\u003c\/em\u003e offers an insight into Clavarino’s work through images that were not included in the book or the exhibition, the author’s notebook, with drawings and drafts, and excerpts of texts by Franz Kafka, Peter Sloterdijk, Giorgio Agamben, Guy Debord and other writers and philosophers whose words have been an important creative source for the author.\u003c\/p\u003e\n\u003cp\u003eDalpine\/Temple, 2016\u003cbr\u003eSoftcover\u003cbr\u003e32 pages\u003cbr\u003e21 x 14 cm\u003cbr\u003eEdition of 200 copies\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"\/en-eu\/products\/the-castle\"\u003e\u003cstrong\u003eTake a look at \u003cem\u003eThe Castle\u003c\/em\u003e here\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Federico Clavarino","offers":[{"title":"Default Title","offer_id":35862617869,"sku":"COMP-CASTLE","price":10.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/a-companion-to-federico-clavarinos-the-castle-250289.jpg?v=1679851996"},{"product_id":"el-blanco-ricardo-cases","title":"El Blanco","description":"\u003cp\u003eIn 2007 Ricardo Cases embarked on a trip across Mali in the company of a white man. Along the way he photographed everything that caught his attention and took portraits of his fellow traveller, a man from Seville whose primary activities were thinking and looking. On his return, Cases reviewed the material and started playing around with the images, with a view to connecting both groups of photographs: those of his travel companion and those of the territory they had visited. He realised however that the images were not sufficiently self-standing to tell the story he had intended, and after a few failed attempts he pushed the material into a drawer.\u003c\/p\u003e\n\u003cp\u003eYears later, in 2015, he returned to the images and felt he was starting to connect with them. Some of them suggested ideas: the lack of legitimacy he felt as a photographer in talking about a place he experienced only in passing; the innocence in the gaze of the tourist who goes with the flow, stimulated by the journey’s serendipity and by the exoticism of a foreign culture and reality; how it can sometimes be appropriate to linger on the surface, in the realm of the imagined, on the outcome of an experience so specific that it could nearly be a dream… \u003c\/p\u003e\n\u003cp\u003eThat’s when he decided to structure the work around these new premises and edit this book in collaboration with Iván del Rey de la Torre, whose texts enter into a dance with the photographs, against that melody. The relationship thus established reveals how an image’s importance often lies not in its materiality, but rather in the tracing of it that we carry around forever in our mind. When we fabricate new images, they are nothing but projections of those tracings.\u003c\/p\u003e\n\u003cp\u003eThat was the genesis of \u003cem\u003eEl blanco\u003c\/em\u003e, a story where an examination of the West’s representation of outlying territories leads us to question representation itself.\u003c\/p\u003e\n\u003cp\u003eDalpine, 2016\u003cbr\u003ePhotos: Ricardo Cases\u003cbr\u003eTexts: Iván del Rey de la Torre\u003cbr\u003eTranslation: Aitor Arauz Chapman\u003cbr\u003eDesign: Mónica Martínez, Ricardo Cases, Ángel Álvarez (Tipode Office)\u003cbr\u003ePrepress: Víctor Garrido\u003cbr\u003eSoftcover\u003cbr\u003e20 x 28 cm\u003cbr\u003e64 pages\u003cbr\u003eEdition of 500 copies (English 300 + Spanish 200 copies) \u003c\/p\u003e","brand":"Ricardo Cases \u0026 Iván del Rey de la Torre","offers":[{"title":"SPANISH EDITION","offer_id":35862919245,"sku":"ELBLANCO-ESP","price":20.0,"currency_code":"EUR","in_stock":false},{"title":"ENGLISH EDITION","offer_id":35863087245,"sku":"ELBLANCO-ENG","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/el-blanco-906810.jpg?v=1679852004"},{"product_id":"extasis-oscar-monzon","title":"Extasis","description":"\u003cp\u003eEXTASIS, second book by photographer Óscar Monzón, stands as a continuation of his analysis of technology and advertising, shifting his attention to the phenomenon of mass tourism. The proposal brings together a collection of landscapes made in one of the most popular tourist destinations in the world: the Iguazú Falls, in Brazil and Argentina, which are crossed by diagonal lines suggesting the striking of these images while the object that interferes in the framing is progressively unveiled: the selfie-sticks of the tourists who visit this enclave and that complete the crossing out -X sign- of the landscapes we observe.\u003c\/p\u003e\n\u003cp\u003eThrough such mechanism Monzón creates a graphic synthesis that illustrates our gradual abandonment of reality, relegating the scenarios and experiences that it offers us to mere consumption objects mediated by digital technology and therefore also susceptible to be devoured and discarded in favor of the world of the images. Relying on a risky editorial design, the author strives to point out disappointment or disillusion as one of the main consequences derived from consumption and from the substitution of the world by the simulacrum of the images.\u003c\/p\u003e\n\u003cp\u003eISBN 978-84-697-3838-2\u003cbr\u003eDalpine, 2017\u003cbr\u003ePhotographs: Óscar Monzón\u003cbr\u003eDesign: Eloi Gimeno\u003cbr\u003ePrepress: La Troupe\u003cbr\u003eSoftcover\u003cbr\u003e64 pages + 1 postcard\u003cbr\u003e29,7 x 21 cm\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePress\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/elpais.com\/cultura\/2018\/11\/22\/babelia\/1542893907_976517.html\"\u003eBabelia - El País\u003c\/a\u003e\u003c\/p\u003e","brand":"Oscar Monzón","offers":[{"title":"Default Title","offer_id":3005483974696,"sku":"EXTASIS","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/extasis-962561.jpg?v=1679852004"},{"product_id":"sol-ricardo-cases","title":"Sol","description":"\u003cp style=\"text-align: justify;\"\u003eContinuing the line started in \u003cem\u003eEl porqué de las naranjas \u003c\/em\u003e(MACK, 2014), Ricardo Cases investigates again the cliché of the Levantine coast. Approaching his work as if it was child’s play consisting of representing the sun, the author is plunged into the blinding light of the Levantine summer seeking its essence, letting himself be carried away by the sensations and questioning how the sun determines the identity, aesthetics and local economy.\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e“I was born on a rocky, inhospitable planet dominated by a star that looms too close. My sky is circled by a massive ball of fire that I don’t dare look at directly. I have grown accustomed to living with its burning breath on my neck, my head hung down in shame. The only way I can gaze at it safely is to discreetly seek out the shadows it casts on surfaces, its reflection in wells and mirrors. With the right technique and an awareness of cosmic distances you can learn to find your way by triangulation; with caution, with fear.”\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eExtract from the text by Luis López Navarro included in the book \u003cem\u003eSol\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eISBN 978-84-697-8268-2\u003cbr\u003eDalpine, 2017\u003cbr\u003ePhotographs: Ricardo Cases\u003cbr\u003eText: Luis López Navarro\u003cbr\u003eTranslation: Aitor Arauz Chapman\u003cbr\u003eGraphic design: Ángel Álvarez (Tipode Office)\u003cbr\u003ePrepress: La Troupe\u003cbr\u003eSoftcover\u003cbr\u003eLoose bound with transparent sleeve\u003cbr\u003e10 fold-outs\u003cbr\u003e21 x 29,7 cm\u003cbr\u003eEnglish\/Spanish\u003ca href=\"https:\/\/elpais.com\/cultura\/2018\/04\/17\/babelia\/1523987729_301826.html\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.prixdulivredartiste.com\/english\/2019-edition\/books-2019\/?fbclid=IwAR1dxd-BBi0snI4bIIr8Enf4ZpSJQh7LWNAnJfZBK-PatXw8_vU1WU1G8yM\"\u003eShortlisted for the PhotoEspaña Best Photography Book of the Year 2018\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.prixdulivredartiste.com\/english\/2019-edition\/books-2019\/?fbclid=IwAR1dxd-BBi0snI4bIIr8Enf4ZpSJQh7LWNAnJfZBK-PatXw8_vU1WU1G8yM\"\u003eShortlisted for the Prix Bob Calle du livre d'artiste 2019\u003c\/a\u003e\u003c\/p\u003e","brand":"Ricardo Cases","offers":[{"title":"Default Title","offer_id":3005511794728,"sku":"SOLRICARDO","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/sol-386146.jpg?v=1679852037"},{"product_id":"a-google-wife-olga-bushkova","title":"A Google Wife","description":"\u003cp\u003e‘In 2011 my husband got an offer to work for Google in Zürich, Switzerland. Neither me nor my husband spoke German or ever lived outside of Russia.\u003c\/p\u003e\n\u003cp\u003eWe rented an apartment on the top floor at Zwinglistrasse 17, twenty minutes walk from the Google office. I had a limited residence permit and couldn’t work for two years. So I stayed at home. We bought curtains, a table and some glasses. We met my husband’s new colleagues, Google employees, and their wives, Google wives.’\u003c\/p\u003e\n\u003cp\u003eIn \u003cem\u003eA Google Wife,\u003c\/em\u003e using a very personal and empathetic language full of details that only appear after an in-depth reading, photographer Olga Bushkova portrays her daily life and reflects on issues such as uprootedness and adaptation to a new culture, the part of large companies in the reconciliation of work and private life, or the feminist review of women’s role in the professional context.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOlga Bushkova (Rostov-on-Don, Russia) studied in Rostov State University and earned a master's degree in Applied Mathematics and Programming. In 2011 she moved to Zürich, Switzerland. Since 2013 she works professionally in Switzerland as a photographer. She has developed two personal projects: “A Google Wife” and “How I tried to convince my husband to have children”. In 2015, together with her husband, she produced the documentary movie \u003c\/em\u003eRussian Tour\u003cem\u003e. Her dummy \u003c\/em\u003eA Google Wife\u003cem\u003e was the winner of the Fiebre Dummy Award 2017.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eISBN 978-84-697-6911-9\u003cbr\u003eDalpine\/Fiebre Photobook, 2017\u003cbr\u003eDesign: Olga Bushkova + Astrolab Estudio\u003cbr\u003ePrepress: La Troupe\u003cbr\u003ePrinted by Artes Gráficas Palermo\u003cbr\u003e207 pages\u003cbr\u003eHardcover\u003cbr\u003e22,9 x 16,2 cm\u003cbr\u003eEdition of 500 copies \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePress: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/next.liberation.fr\/culture\/2017\/12\/28\/les-10-livres-photo-de-2017-et-plus-encore_1619137\"\u003eLibération\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/www.colta.ru\/galleries\/specials\/16978#ad-image-0\"\u003eColta\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/www.ahmagazine.es\/un-fotolibro-a-google-wife\/\"\u003eAh magazine\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/portraits-of-unknown.com\/a-google-wife-by-olga-bushkova-a-photobook-review\/\"\u003ePortraits of Unknown\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"http:\/\/next.liberation.fr\/arts\/2018\/08\/13\/google-de-l-emploi_1672454\"\u003eLibération (2)\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/fkmagazine.lv\/2018\/09\/10\/a-google-wife\/\"\u003eFK Magazine\u003cbr\u003e\u003cbr\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.rencontres-arles.com\/files\/file_file_116_fr.pdf\"\u003eShortlisted for the Rencontres d'Arles Author Book Award 2018\u003c\/a\u003e\u003c\/p\u003e","brand":"Olga Bushkova","offers":[{"title":"Default Title","offer_id":3078517751848,"sku":"GOOGLEWIFE","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/a-google-wife-165833.jpg?v=1679852005"},{"product_id":"ustedes-los-vivos-david-hornillos","title":"Ustedes, los vivos","description":"\u003cp\u003eFor \u003cem\u003eUstedes, los vivos [You the Living]\u003c\/em\u003e photographer David Hornillos once again worked in the vicinity of a train station in Madrid; this time on a vacant lot adjacent to Chamartín, the city’s North station. In a similar vein to his previous project \u003cem\u003eMediodía\u003c\/em\u003e, this book follows a constant stream of characters as they traipse across a desert landscape that might once have been a graveyard. The work is threaded together by a fine horizon line that traces the path trodden by these humans.\u003c\/p\u003e\n\u003cp\u003eAtocha and Chamartín are Madrid’s only two active railway stations – reverse sides of the coin, of the city and of David Hornillo’s photographic work. The suffocating orange that confines the characters in \u003cem\u003eMediodía\u003c\/em\u003e is now a counterpoint to the blue fluidity of \u003cem\u003eUstedes, los vivos\u003c\/em\u003e, where we gaze upon a metaphysical procession; the framed transit, naked and clean, of a cast of characters who are going nowhere because they are merely passing by.\u003c\/p\u003e\n\u003cp\u003eBeings thrust into the world. \u003cem\u003eUstedes, los vivos\u003c\/em\u003e frames a philosophical space and invites us to let our thoughts ramble on our condition as temporary entities and on existence itself.\u003cbr\u003e\u003cbr\u003eISBN 978-84-608-8928-1\u003cbr\u003eDalpine, 2018\u003cbr\u003eSoftcover with dust jacket (4 different designs)\u003cbr\u003eDesign: Antonio M. Xoubanova\u003cbr\u003ePrepress: La Troupe\u003cbr\u003ePrinted by Artes Gráficas Palermo\u003cbr\u003e872 pages\u003cbr\u003e436 images\u003cbr\u003e11,2 x 14,9 cm\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePress:\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/elpais.com\/ccaa\/2018\/11\/07\/madrid\/1541609217_737717.html\"\u003eEl País\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.lavanguardia.com\/tecnologia\/20181120\/453042915834\/ustedes-los-vivos-libro-fotolibro-david-hornillos-instagram-dalpine.html?fbclid=IwAR2BLExKkn_4rrAuuKLTqMN_RtKUjfiSfl-a21ILj_CUGZ8Q5tUdlFcX9Xw\"\u003eLa Vanguardia\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/elpais.com\/cultura\/2018\/11\/22\/babelia\/1542893907_976517.html\"\u003eBabelia - El País\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.miciudadreal.es\/2019\/05\/08\/david-hornillos-reflexiona-sobre-la-vida-a-traves-de-horizontes-azules-en-su-segunda-estacion\/?fbclid=IwAR19QQXd9RKtjCblskheDGsQ6012iS_8v09PQTg1zNYR04ODrJZd7auJzcg\"\u003eMiCR.es\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.lanzadigital.com\/provincia\/ciudad-real\/david-hornillos-ensena-su-cromatismo-fotografico-en-la-escuela-de-artes-pedro-almodovar\/\"\u003eLanza\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.fronterad.com\/una-biblia-en-fotos-ustedes-los-vivos-de-david-hornillos\/\"\u003eFrontera D\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/www.phe.es\/premio-al-mejor-libro-de-fotografia-2019\/\"\u003eShortlisted for the PhotoEspaña Best Photography Book of the Year 2019\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.rencontres-arles.com\/en\/actualites\/view\/339\/prix-du-livre-2019-les-shortlistes?fbclid=IwAR0p9ezOhXYW7Iwbrl6zyRaIWtzw1fkuACkOISbSBn0B6Qxi6SjXCvoQQh4\"\u003eShotlisted for The Rencontres d'Arles Prix du livre 2019\u003c\/a\u003e\u003c\/p\u003e","brand":"David Hornillos","offers":[{"title":"Default Title","offer_id":17134978793587,"sku":"Ustedes","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/ustedes-los-vivos-911984.jpg?v=1679852043"},{"product_id":"aporia-andrew-waits","title":"Aporia","description":"\u003cp\u003eIn APORIA, photographer Andrew Waits addresses the phenomenon of rapid growth being experienced in many urban locations around the world. A desire to explore the underpinnings of a rapidly changing environment, and how it demonstrates itself on one’s psyche, is at the core of this work. APORIA is the culmination of this effort, a dreamlike narrative pieced together from the observed landscape.\u003cbr\u003e \u003cbr\u003e APORIA does not presume to answer questions regarding the ills of the urban development. It rather presents a fictional narrative in an effort to approach a feeling that something is amiss. There is a limit to what can be observed in an environment so deeply woven with complexity. As Waits has said, “For the most part, we are disconnected from the underlying mechanisms of the system in which we live. APORIA attempts to highlight this disconnect and struggle for understanding and connection. Perhaps in doing so, it can provide a brief glimpse into what lies underneath the system where the collective psyche of a population finds its covert habitation.”\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAndrew Waits (b. 1983) is a native of the Pacific Northwest region of the United States. He studied Political Science and Communications at the University of Washington and recently completed his MFA in photography at the University of Hartford. His first body of work, Boondock, dealt with the ways in which survival dictates fluidity of location, interconnectivity, and the concept of home. His new book, Aporia, addresses rapid urbanization and how it manifests itself in the physical environment and latent psychology of a population. The maquette for Aporia was awarded the 2018 Fiebre Dummy Award. \u003c\/em\u003e\u003cem\u003eHe currently resides in Oakland, California. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eISBN 978-84-09-06218-8\u003cbr\u003eDalpine\/Fiebre Photobook, 2018\u003cbr\u003e Design: Aaron Bloom\u003cbr\u003e Prepress: La Troupe\u003cbr\u003e Printed by Artes Gráficas Palermo\u003cbr\u003e Hardcover with a tipped-in-image\u003cbr\u003e112 pages\u003cbr\u003e 32 x 23,5 cm\u003cbr\u003eFirst edition of 500 copies\u003cbr\u003e\u003cbr\u003ePress\u003cbr\u003e\u003cbr\u003e\u003ca href=\"http:\/\/www.americansuburbx.com\/2019\/05\/andrew-waits-interview-aporia.html?fbclid=IwAR3KsODSP1GdghAzZLXidVt5gOCEbGb0JmsZKhRnKua6WT4nK3nh46bpEIY\"\u003eAmerican Suburb X\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/blog.photoeye.com\/2019\/09\/book-of-week-selection-by-jake-bartman.html\"\u003ePhotoeye\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/urbanautica.com\/interview\/andrew-waits-aporia\/1490?fbclid=IwAR1VCP7k2Tw5BOm3FlxR6b7lqieXK7P4DMmTk2Kww1ZVjquVCPO5_DjrJqc\"\u003eUrbanautica\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.ignant.com\/2022\/01\/21\/with-aporia-photographer-andrew-waits-captures-the-expression-of-doubt\/\"\u003eIgnant\u003c\/a\u003e\u003c\/p\u003e","brand":"Andrew Waits","offers":[{"title":"Default Title","offer_id":17807119548531,"sku":"Aporia","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/aporia-469509.jpg?v=1679852016"},{"product_id":"como-la-casa-mia-laura-c-vela","title":"Como la casa mía","description":"\u003cp\u003e\u003cem\u003eComo la casa mía \u003c\/em\u003e[Like My Own House]\u003cem\u003e \u003c\/em\u003eportrays the encounter between Xirou Xiao and photographer Laura C. Vela, two young women from different cultures who live in the same city and share the same desire: to find their place and create a home.\u003c\/p\u003e\n\u003cp\u003eThe book is a drift towards the inner self of the protagonist, a Chinese migrant. For three and a half years, Laura accompanies Xirou in her search for a way of being in the world, hence creating an identity in constant adjustment. Acknowledgement of a new context, receptiveness and serenity become the pillars of the personal search and intercultural friendship that they establish together―a refuge they would like to expand, thus building the universal from the particular.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLaura C. Vela studied Plastic Arts and Design in Photography at Arte 10 School and Philosophy at UCM. She also earned a Master’s Degree in Development of Art Projects from Blank Paper School and graduated in Chinese Studies from ICEI. Her work focuses on issues such as identity, uprooting and our relationship with the urban environment. She has held solo and group exhibitions both in Spain and internationally. She was awarded the Blank Paper Scholarship in 2016 and selected as an artist for Plat(t)form - Fotomuseum Winterthur in 2018. \u003c\/em\u003eComo la casa mía \u003cem\u003e(Dalpine, 2019) is her first book.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eISBN 978-84-09-10557-1\u003cbr\u003e Dalpine, 2019\u003cbr\u003e Editing: Laura C. Vela \u0026amp; Gonzalo Golpe\u003cbr\u003e Design: underbau\u003cbr\u003e Prepress: Eduardo Nave\u003cbr\u003e Texts: Xirou Xiao, Minke Wang, Laura C. Vela\u003cbr\u003e Translation: Deirdre B. Jerry\u003cbr\u003eSoftcover\u003cbr\u003e16,2 x 23,5 cm\u003cbr\u003e176 pages\u003cbr\u003e Spanish\/English Bilingual Edition\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.phe.es\/conoce-a-los-seleccionados-del-premio-al-mejor-libro-de-fotografia-del-ano-photoespana-2020\/\"\u003e\u003cstrong\u003eShortlisted for PhotoEspaña Best Book of the Year Award 2020\u003c\/strong\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePress\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003ca href=\"https:\/\/elpais.com\/elpais\/2020\/01\/28\/eps\/1580222538_614512.html?fbclid=IwAR0X8a065jEPO1cpnfBLG_gPkRzOQTDzeCaOv6YJxMyT8_Zhs6_h_g2qUrw\"\u003eEl País Semanal\u003c\/a\u003e\u003cbr\u003e\u003ca href=\"https:\/\/clavoardiendo-magazine.com\/actualidad\/agenda\/laura-carrascosa-vela-publica-como-la-casa-mia-y-lo-presenta-en-libreria-grant\/?fbclid=IwAR2_RLA9Q5CgXdjeMOSnjHiQnKgkziE8QVzjEdToTNGcMsxy2wkv3FXUd3s\"\u003eClavoardiendo\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"http:\/\/www.ahmagazine.es\/laura-carrascosa-vela\/?fbclid=IwAR1oYwl4yz0pD2ybEpTl6lAUByXeOTb6oymFQaBrN6TvpWaztLMDrJSe5ao\"\u003e¡Ah! Magazine\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/godartlab.com\/2020\/07\/06\/como-la-casa-mia-de-laura-c-vela\/\"\u003eGodArt Lab\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/collectordaily.com\/laura-c-vela-como-la-casa-mia\/\"\u003eCollector Daily\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.xatakafoto.com\/libros-de-fotografia\/como-casa-mia-laura-c-vela-filosofia-vivir-actitud-preguntarse-fotografia-estar-a-escucha\"\u003eXataka\u003c\/a\u003e\u003c\/p\u003e","brand":"Laura C. Vela","offers":[{"title":"Default Title","offer_id":18517359394931,"sku":"Comolacasamia","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/como-la-casa-mia-644086.jpg?v=1679852013"},{"product_id":"a-swimming-pool-michele-tagliaferri","title":"A Swimming Pool","description":"\u003cbr\u003e\n\u003cp\u003eWhile the search for the new is rooted in our human nature, we privately entertain ourselves with the pleasure of routine because it gives us the assurance of controlling and therefore dominating time... at least for the moment.\u003cbr\u003e\u003cbr\u003eIn keeping with the poetics of his previous works, in \u003cem\u003eA Swimming Pool\u003c\/em\u003e, Tagliaferri immerses us in his love–hate relationship with routine: on the one hand, he attempts to escape from it, but on the other, he is aware of his need for it and thus seeks the pleasure of daily life.\u003c\/p\u003e\n\u003cp\u003eThroughout all seven chapters of the book, we experience pleasure similar to that of simple common rituals, recognising the repetitions and cycles that we have ensconced ourselves in ever since we abandoned nomadic life and became time-measuring farmers.\u003c\/p\u003e\n\u003cp\u003eThe pictures, taken in different geographical locations using different cameras (aspects that further highlight the routine nature of work), capture the author's private life, which he shares with us in an attempt to make it more bearable. Everything seems monotonous, but beware, there are changes…\u003c\/p\u003e\n\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product-excerpt\"\u003e\n\u003cp class=\"\"\u003eISBN 978-84-09-11758-1\u003cbr\u003e\u003cspan\u003eDesigned by \u003c\/span\u003eAntonio M. Xoubanova\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003cspan\u003eText by \u003c\/span\u003eIván del Rey de la Torre\u003cbr\u003eWatercolors by Felipe Alonso\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e\u003cspan\u003ePrepress\u003c\/span\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eby La Troupe\u003cem\u003e\u003cbr\u003e\u003c\/em\u003e380 pages\u003cbr\u003e22.5 x 31cm\u003cbr\u003eSoftcover \u003cbr\u003eCo-published with \u003ca href=\"https:\/\/www.skinnerboox.com\/\"\u003eSkinnerboox\u003c\/a\u003e\u003cbr\u003eFirst edition of 100+100 copies Dalpine + Skinnerboox\u003cbr\u003eAll signed and numbered\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Michele Tagliaferri","offers":[{"title":"Default Title","offer_id":29060589551731,"sku":"ASwimmingPool","price":65.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/a-swimming-pool-459960.png?v=1679852002"},{"product_id":"the-invisible-monument","title":"The Invisible Monument","description":"\u003cp\u003e\u003cem\u003eThe Invisible Monument\u003c\/em\u003e shows the process of an anachronic reading of Tehran using underground layers of an abandoned irrigation network to reveal the capital’s contemporary nature and needs. As a graphic novel, the book retraces the history of Tehran since its Zoroastrian beginnings by shedding light on how an infrastructure has the capacity to shape thoughts and space through time. Out of the necessity to inhabit the desert, an anthropogenic landscape shaped by underground water sources and astronomical cycles gave emergence to the enclosed garden as one of the oldest art forms.\u003cbr\u003e \u003cbr\u003e In her projects, Iranian architect and artist Sara Kamalvand addresses issues such as climate change, resource depletion and pollution footprint through heritage, conservation and memory. \u003c\/p\u003e\n\u003cp\u003eISBN 978-600-5268-42-3\u003cbr\u003eBon—Gah, 2020\u003cbr\u003e Editing: Sara Kamalvand, Sonia Berger\u003cbr\u003eGraphic design: Jaime Narváez (La Troupe)\u003cbr\u003ePre-press: La Troupe Lab\u003cbr\u003ePrinted by Artes Gráficas Palermo\u003cbr\u003eLimited edition of 200 numbered copies\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePress: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/medomed.org\/2020\/the-invisible-monument-a-tribute-to-qanats\/\"\u003eMedOmed.org\u003c\/a\u003e\u003c\/p\u003e","brand":"Sara Kamalvand","offers":[{"title":"Default Title","offer_id":31351851647091,"sku":"InvisibleMonument","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/the-invisible-monument-214691.jpg?v=1679852052"},{"product_id":"a-les-8-al-bar-eusebi","title":"A les 8 al bar Eusebi","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eSelf-published last year in a strictly limited edition, we are happy to work again with Salvi Danés and present his book \u003c\/span\u003e\u003ci\u003eA les 8 al bar Eusebi\u003c\/i\u003e\u003cspan\u003e.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe recently closed La Modelo prison and the adjacent Eusebi bar serve as a backdrop to \u003c\/span\u003e\u003ci\u003eA les 8 al bar Eusebi\u003c\/i\u003e\u003cspan\u003e [At 8 at bar \u003c\/span\u003eEusebi]. The book pays tribute to the memory of this area of Barcelona's Eixample district and its people through an atmosphere bathed in rust and suspicion. A plot skillfully suggested by Salvi Danés through gestures, ways of looking and details to describe a time without glory.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eISBN 978-84-09-17886-5\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDalpine, 2020\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesign: Gerard Joan, Martí Gasull, Salvi Danés\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSoftcover - 144 pages - 30 x 19,9 cm\u003cbr\u003e\u003c\/span\u003e4 different covers\u003cbr\u003e\u003cspan\u003eEdition of 300 copies\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.rencontres-arles.com\/en\/prix-du-livre\/\"\u003e\u003cstrong\u003eShortlisted for Les Rencontres d'Arles Author Book Award 2020\u003c\/strong\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.phe.es\/conoce-a-los-seleccionados-del-premio-al-mejor-libro-de-fotografia-del-ano-photoespana-2020\/\"\u003e\u003cstrong\u003eShortlisted for PhotoEspaña Best Book of the Year Award 2020 \u003c\/strong\u003e\u003c\/a\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePress\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/elpais.com\/cultura\/2020\/04\/09\/babelia\/1586419797_491054.html\"\u003eBabelia - El País\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/collectordaily.com\/salvi-danes-a-les-8-al-bar-eusebi\/\" data-mce-href=\"https:\/\/collectordaily.com\/salvi-danes-a-les-8-al-bar-eusebi\/\"\u003eCollector Daily\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.vice.com\/es\/article\/8899dv\/este-fotografo-se-ha-pasado-anos-retratando-lo-que-pasa-alrededor-de-la-carcel-modelo-de-barcelona\" data-mce-href=\"https:\/\/www.vice.com\/es\/article\/8899dv\/este-fotografo-se-ha-pasado-anos-retratando-lo-que-pasa-alrededor-de-la-carcel-modelo-de-barcelona\"\u003eVice\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/thecuratormag.in\/salvi-danes-art-photographic-observation\/\"\u003eThe Curator Mag\u003c\/a\u003e\u003cspan\u003e\u003cbr\u003e\u003ca href=\"https:\/\/phmuseum.com\/news\/quiet-death-barcelona-bar?fbclid=IwAR13IVCmkcey_qkTBlWAjiudKvy9D7-fRKIjifSxLEtSJhSet-Y1Dqj--Mk\"\u003ePHmuseum\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Salvi Danés","offers":[{"title":"Default Title","offer_id":31362870542451,"sku":"Ales8albarEusebi","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/a-les-8-al-bar-eusebi-819505.jpg?v=1679852012"},{"product_id":"like-stains-of-red-dirt-juan-orrantia","title":"Like Stains of Red Dirt","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eLike Stains of Red Dirt\u003c\/em\u003e brings together a series of moments that recognize an experience of a particular place. Made after living in Johannesburg, South Africa, for more than 10 years, Juan Orrantia’s gaze points inward. Combining spontaneous, intuitive and constructed scenes the book moves through moments, gestures and objects in his home and immediate surroundings. His use of color and shadows create a language rooted in subjective, everyday experience and imagination. \u003cbr\u003e\u003cbr\u003eIn a country marked in so many ways by color, the photographs invite us to think of the surface as both seductive and as an illusion. They suggest emotions and anxieties as much as the presence of historical, political and representational undercurrents that traverse the context in which the photographs are made.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eJuan Orrantia makes photographic works that involve subjective approaches to thinking about perception, history, and the representational function of the image. For this he explores different modes of interacting with color, interventions and the photobook. He has been awarded a Smithsonian Artist Fellowship, the Tierney Fellowship in Photography, and exhibited at venues such as the Centro de la Imagen-Mexico City, Lisbon Photobook Fair, Rencontres de Bamako, Khoj-New Delhi, New York Photo Festival among others. He holds an MFA in Photography from Hartford Art School’s International limited residency program and a doctorate in visual anthropology. Juan was born and raised in Colombia and is based in South Africa. The maquette for \u003c\/em\u003eLike Stains of Red Dirt\u003cem\u003e was awarded the 2019 Fiebre Dummy Award.\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003e\u003cspan size=\"3\" style=\"font-size: medium;\"\u003e\u003cspan\u003e\u003cb\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003eISBN 978-84-09-19020-1\u003cbr\u003eDalpine\/Fiebre Photobook, 2020\u003cbr\u003eGraphic design: Jaime Narváez\u003cbr\u003ePre-press: La Troupe\/Artes Gráficas Palermo\u003cbr\u003ePrinting: Heptachrome extended gamut printing by Artes Gráficas Palermo\u003cbr\u003eSoftcover with acetate jacket\u003cbr\u003e98 pages\u003cbr\u003e26,5 x 22 cm\u003cbr\u003eFirst edition of 500 copies\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePress\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/puntodefugabogota.com\/2020\/06\/12\/7513\/\"\u003ePunto de fuga\u003cbr\u003e\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003ca href=\"https:\/\/www.bjp-online.com\/2020\/08\/juan-orrantia-like-stains-of-red-dirt\/\"\u003eBristish Journal of Photography\u003c\/a\u003e \u003cbr\u003e\u003ca href=\"https:\/\/collectordaily.com\/juan-orrantia-like-stains-of-red-dirt\/\"\u003eCollector Daily\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/amlatina.contemporaryand.com\/es\/editorial\/orrantia-fayad-images-of-south-africa\/?fbclid=IwAR22nhHmByxIWsxnJp20iCPKAGPU9BfK2a7iAwr4cyAuHESAtdbszZafN88\"\u003eC\u0026amp; América Latina\u003cbr\u003e\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003ca href=\"https:\/\/c4journal.com\/juan-orrantia\/\"\u003eC4 journal\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/africasacountry.com\/2021\/02\/upsetting-color-and-its-representations\"\u003eAfrica is a Country\u003cbr\u003e\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003e\u003ca href=\"https:\/\/aperture.org\/editorial\/juan-orrantia-the-photographer-who-embraces-south-africa-lavish-colors\/\"\u003eAperture\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Juan Orrantia","offers":[{"title":"Default Title","offer_id":31430120308851,"sku":"LikeStains","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/like-stains-of-red-dirt-986610.jpg?v=1679852035"},{"product_id":"costa-tropical-pablo-castilla","title":"Costa Tropical","description":"\u003cp\u003eThis book brings together a series of pictures taken by photographer Pablo Castilla Heredia between 2010 and 2016 in the “Costa Tropical”, the coastline region of the province of Granada.\u003cbr\u003e\u003cbr\u003eExtensive exploration of this landscape during the hours of peak sunlight intensity reveals a strange drama in which comedy, tragedy and absurdity coexist in a new reality that could well belong to a film piece without any conscious script.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCosta Tropical\u003c\/em\u003e is a journey to a new territory, both original and sovereign, located somewhere between fiction and reality, record and invention, documentary evidence and subjective perception.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePablo Castilla Heredia (Granada, 1980) lives and works between Granada and Norway. His work is based on the direct exploration of reality and encoded in a documentary-based language through various disciplines such as cinema, performing arts and photography. The use of a documentary style becomes in itself a strategy that reveals fissures in perception and challenges the boundaries between fiction and reality. After graduating in Fine Arts, he lived in Brussels from 2001 to 2014, where he earned a Master’s Degree in Documentary Filmmaking and, together with Hedvig Biong and Niko Hafkenscheid, founded “Kevin or Harry”, a performing arts collective that creates theatre pieces where real people take the stage. Since 2018, he collaborates regularly with Pablo López on projects revolving around photography and territory (“Pangnirtung”).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eCosta Tropical\u003cem\u003e is his first photography book, winner of the 3\u003csup\u003erd\u003c\/sup\u003e Edition of “Fotolibro \u0026lt;40”, a call promoted by the Culture \u0026amp; Tourism Department of the Community of Madrid addressed to Spanish photographers under 40 years of age, which aims to support and promote the young Spanish photography through the edition of a book of the winning project in collaboration with a reference publisher.\u003cbr\u003e\u003c\/em\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eISBN 978-84-09-20879-1\u003cbr\u003eDalpine\/CAM, 2020\u003cbr\u003eFotolibro \u0026lt;40 Project Coordinator: Jesús Micó\u003cbr\u003eEditing: Pablo Castilla \u0026amp; Pablo López\u003cbr\u003eDesign: Jaime Narváez\u003cbr\u003ePre-press: La Troupe\u003cbr\u003ePrinting: Artes Gráficas Palermo\u003cbr\u003eHardcover\u003cbr\u003e29 x 24 cm\u003cbr\u003e72 pages\u003cbr\u003e34 photographs\u003ca href=\"https:\/\/clavoardiendo-magazine.com\/actualidad\/noticias\/pablo-castilla-heredia-costa-tropical-fotolibro40\/\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003ca href=\"https:\/\/www.phe.es\/2021\/05\/27\/conoce-la-lista-de-libros-seleccionados-para-el-premio-al-mejor-libro-de-fotografia-del-ano-2021\/\"\u003e\u003cstrong\u003eShortlisted for PhotoEspaña Best Book of the Year Award 2021\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Pablo Castilla Heredia","offers":[{"title":"Default Title","offer_id":31918611923059,"sku":"CostaTropical","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/costa-tropical-960862.jpg?v=1679851994"},{"product_id":"estudio-elemental-del-levante-ricardo-cases","title":"Estudio elemental del Levante","description":"\u003cp\u003eFurther delving into the photographic language that originated with \u003cem\u003ePaloma al aire \u003c\/em\u003e(2011), in \u003cem\u003eEstudio elemental del Levante\u003c\/em\u003e (carried out between 2010 and 2020) Ricardo Cases articulates the meanings rendered by his immediate environment, the Levante region (Spain), where he finds expressions of all phenomena, of all relations.\u003c\/p\u003e\n\u003cp\u003eBeyond the classic icons of tourism - beach and paella -, Cases observes a series of hallmarks with deeper and more subtle meanings. That is where other symbols of Levante like the music bands, the palm groves and the construction industry make their appearance. As does the story of the red palm weevil (\u003cem\u003erhynchophorus ferrugineus\u003c\/em\u003e): a parasite from Southeast Asia that attacks palm trees, causing them to wither and die.\u003c\/p\u003e\n\u003cp\u003eThe palm tree, the \u003cem\u003echaranga\u003c\/em\u003e and the red palm weevil form a triangle that represents the spiritual map of modern Spain's systemic crash, of a violent and screeching collision. The combination of it all generates a dissonant symphony. Like a desperate alarm signal, the grating shriek of metal can be heard in the images themselves.\u003c\/p\u003e\n\u003cp\u003eIn this book, which is based on the principle of collage, images appear to have been affected by the blight and are partially faded. Superposition creates a raving musical score whose structure is chaos, provisionalness. In short, \u003cem\u003eEstudio elemental del Levante\u003c\/em\u003e is a requiem for a way of life that enjoyed its period of mad splendour.\u003cbr\u003e\u003cbr\u003eISBN 978-84-09-20494-6\u003cbr\u003eDalpine\/torch press\/The Ice Plant, 2020\u003cbr\u003eDesign advice and typesetting: Tipode Office\u003cbr\u003ePre-press: La Troupe\u003cbr\u003ePrinted by Estudios Durero\u003cbr\u003eHardcover\u003cbr\u003e23,7 x 16 cm\u003cbr\u003e64 pages\u003cbr\u003e51 color images\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCo-published with torch press (Japan) and The Ice Plant (US). For Japan or US customers, please access the page of each publisher.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.culturaydeporte.gob.es\/actualidad\/2021\/07\/210705-libros-mejor-editados.html\"\u003e\u003cstrong\u003ePremio al Libro Mejor Editado 2020 (Art Books, third prize). Ministerio de Cultura\u003c\/strong\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.rencontres-arles.com\/fr\/prix-du-livre\/\"\u003e\u003cstrong\u003eShortlisted for Les Rencontres d'Arles Author Book Award 2021\u003c\/strong\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.phe.es\/2021\/05\/27\/conoce-la-lista-de-libros-seleccionados-para-el-premio-al-mejor-libro-de-fotografia-del-ano-2021\/\"\u003e\u003cstrong\u003eShortlisted for PhotoEspaña Best Book of the Year Award 2021\u003c\/strong\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Ricardo Cases","offers":[{"title":"Default Title","offer_id":32007225901171,"sku":"EEL","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/estudio-elemental-del-levante-645569.jpg?v=1679852005"},{"product_id":"galerna-jon-cazenave","title":"Galerna","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eGalerna\u003c\/em\u003e is a long-running photography project in which Jon Cazenave, born in San Sebastián (Spain) in 1978, questions his identity and his territorial belonging. Beyond documenting a place, this extensive photographic journey leads him to the discovery of his deepest being.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eHis early pictures are marked by the political situation in his homeland, but soon enough another urge arises: the need to discover the spirit of his region and his origins. He slowly drifts away from the documentary approach towards a more essential photographic language, devoting himself to his surroundings: the mountains, the woodlands, the sea and its fishermen, the Basque culture and its rituals; also, the wildlife and, more recently, the caves that it merges with. Thus are born his black, pure, direct images, carved out of matter. Jon Cazenave makes an incision in the landscape, his own landscape.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAfter over a decade of passionate, uncompromising photography, he senses a different direction and shakes off his insatiable thirst for black. Colour offers a new answer to his search, putting an end to his long journey through the emptiness of the universe and opening the door to new forms of creation.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs simple as it is conclusive, this book manages, through editing, to evoke the physical and emotional experience of a journey, first to the origins and then to the place from which the photographer perceives freedom. This volume includes an essay by the writer Kirmen Uribe that examines the linguistic foundations of the Basque, as well as its ethnographic and anthropological resonances. The text by Fannie Escoulen, curator, allows us to understand Jon Cazenave's photographic search.\u003c\/p\u003e\n\u003cp\u003eISBN 978-84-09-21985-8\u003cbr\u003eDalpine\/Atelier EXB, 2020\u003cbr\u003eDesign: Eloi Gimeno, Line Célo\u003cbr\u003eTexts: Kirmen Uribe, Fannie Escoulen\u003cbr\u003eBilingual edition: Spanish\/Basque \u003cbr\u003eSoftcover, Otabind binding\u003cbr\u003e28 x 21 cm\u003cbr\u003e248 pages\u003cbr\u003e144 B\u0026amp;W and color photographs \u003cbr\u003e\u003cbr\u003ePress:\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/elpais.com\/babelia\/2020-11-05\/la-identidad-vasca-a-traves-del-paisaje.html\"\u003eBabelia El País\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/phmuseum.com\/news\/how-a-storm-shapes-a-country\"\u003ePHmuseum\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/e-lur.net\/biblioteca\/galerna\/\"\u003eLUR estudios visuales\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/www.auxmagazine.com\/9931\/galerna-identidad-y-pertenencia\/\"\u003eAUX Magazine\u003cbr\u003e\u003c\/a\u003e\u003ca href=\"https:\/\/americansuburbx.com\/2021\/04\/jon-cazenave-galerna.html\"\u003eAmerican Suburb X\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.rencontres-arles.com\/fr\/prix-du-livre\/\"\u003e\u003cstrong\u003eShortlisted for Les Rencontres d'Arles Author Book Award 2021\u003c\/strong\u003e\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.phe.es\/2021\/05\/27\/conoce-la-lista-de-libros-seleccionados-para-el-premio-al-mejor-libro-de-fotografia-del-ano-2021\/\"\u003e\u003cstrong\u003eShortlisted for PhotoEspaña Best Book of the Year Award 2021\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Jon Cazenave","offers":[{"title":"Default Title","offer_id":32070687850611,"sku":"Galerna","price":42.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/galerna-657820.jpg?v=1679852010"},{"product_id":"alerta-mira-sol-blanca-munt","title":"Alerta Mira-sol","description":"\u003cp data-mce-fragment=\"1\"\u003eIn 2019, photographer Blanca Munt engaged in a neighbourhood chat group created to surveil her own neighbourhood and alert to any potential home burglaries or other suspicious activity. What is initially presented as an effective tool for the neighbours soon becomes a source of speculation, suspicion and paranoia. The seemingly quiet community life in a neighbourhood of well-lit streets and conventional homes founders due to the actual burglaries, but also due to the disintegration of the idea of community when personal security is at stake: mistrust, typically based on suspicious appearance or behaviour, now extends to any neighbours who fail to rigorously conform to the group’s purpose.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith a clean and sober design reminiscent of a real estate or security company brochure, the dispassionate pictures portrayed in \u003cem data-mce-fragment=\"1\"\u003eMira-sol Alert\u003c\/em\u003e intertwine with the mental images stemming from an inflamed rhetoric, which gradually take shape as we learn the self-interested views of the different actors in this landscape –neighbours, suspects, police officers, local authorities–, and which appeal strongly to our fears and contradictions. In her own words, Blanca Munt calls for a \"reflection on the tension between the privilege of living in a peaceful place and the constant sense of lurking threat encouraged by our current culture of fear.\"\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eBlanca Munt (Barcelona, 1997) believes in the fusion of photography, design and video as the best way to capture her ability to create and tell stories. She takes interest in issues relating to housing, architecture, periphery, landscape, portraiture and society, and explores the culture of fear and paranoia that inspired the project \"Mira-sol Alert\" (2020). The project’s photobook won the Fiebre Photobook Dummy Award (2020).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eAlso, she recently exhibited her project \"Sòl i Sostre\" (2021) at the 7th edition of the Mirades Photography Festival, held in the Baix Empordà region. She served as an assistant to photographer Tanit Plana, participating in the project \"Puber\" showcased in La Virreina (2020), and currently works as curator alongside Borja Ballbé for the digital platform \"Panorama\", publishing art projects that address topics related to landscape and territory.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eISBN 978-84-09-28239-5 (Catalan\/Spanish edition)\u003cbr\u003eISBN 978-84-09-28240-1 (English edition)\u003cbr\u003eDalpine \/ Fiebre Photobook, 2021\u003cbr\u003eDesign: Blanca Munt + Rubén García-Castro (La Troupe)\u003cbr\u003ePrepress: La Troupe\u003cbr\u003ePrinted by Artes Gráficas Palermo\u003cbr\u003e27 x 23 cm\u003cbr\u003e64 pages\u003cbr\u003eSaddle stitch binding\u003cbr\u003eFirst edition of 300 copies (Catalan\/Spanish edition) and 200 copies (English edition)\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Blanca Munt","offers":[{"title":"Español","offer_id":39286082994291,"sku":"Alerta-2","price":15.0,"currency_code":"EUR","in_stock":true},{"title":"English","offer_id":39286082961523,"sku":"Alerta-1","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/alerta-mira-sol-857828.jpg?v=1679852006"},{"product_id":"parques-infantiles-ricardo-cases","title":"Parques infantiles","description":"\u003cp data-mce-fragment=\"1\"\u003eChildren's playgrounds are places of exploration and adventure, worlds of stimuli and potential entertainment. However, there was a time when children were banished from their playgrounds. Laden with prohibitions and awaiting better times, they became visual playgrounds of shapes, colours and compositions where the photographer could play while bearing testimony to a period in which everything lost its regular meaning and, even for us, reality was rendered alien, abstract and unfathomable.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eISBN 978-84-09-32058-5\u003cbr\u003eDalpine, 2021\u003cbr\u003ePhotos: Ricardo Cases\u003cbr\u003eDesign: Tipode Office\u003cbr data-mce-fragment=\"1\"\u003ePrinted by Estudios Durero\u003cbr\u003eBound by Encuadernaciones Gómez\u003cbr data-mce-fragment=\"1\"\u003eHardcover \u003cbr data-mce-fragment=\"1\"\u003e20 cardboard pages \u003cbr data-mce-fragment=\"1\"\u003e10 x 15 cm\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/www.prixdulivredartiste.com\/l-%C3%A9dition-2023\/livres-2023\/\"\u003e\u003cstrong\u003eShortlisted for the Prix Bob Calle du Livre d'Artiste 2023\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Ricardo Cases","offers":[{"title":"Default Title","offer_id":39405941588083,"sku":"Parquesinfantiles","price":18.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/parques-infantiles-698008.jpg?v=1679852037"},{"product_id":"el-pone-la-musica-nosotros-bailamos","title":"Él pone la música, nosotros bailamos","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eÉl pone la música, nosotros bailamos\u003c\/em\u003e [He Plays the Music, We Dance] tells the story of a heist carried out by a family of small-time criminals and their circle of endearing crooks. A tip-off takes them all the way to Galicia in pursuit of their juiciest target so far: a large shipment of luxurious French antiques.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs if it were a photographic one-act farce, Manuela Lorente creates a Spanish adaptation of the classic caper story, woven from images of everyday life in Madrid, an eclectic cast of characters, literature and film dialogues.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eManuela Lorente (Madrid, 1991) graduated in Architecture and went on to study an International Master’s Degree in Photography and Project Management at Efti. She is devoted to storytelling by means of documentary photography. Her stories combine reality and fiction against the backdrop of Spanish \u003c\/em\u003e\u003cem\u003epopular culture, personal relationships and the tradition and identity of the city of Madrid. It is the photographs that subsequently inspire the stories, with eccentricity and picaresque as common threads.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eISBN 978-84-09-31869-8\u003cbr\u003eDalpine, 2021\u003cbr\u003ePhotographs: Manuela Lorente\u003cbr\u003eConcept: Héctor López Gamero \u0026amp; Manuela Lorente\u003cbr\u003eDesign: Jaime Narváez\u003cbr\u003ePrepress: Taller Digigráfico\u003cbr\u003eTexts: Pedro Colao León \u0026amp; Manuela Lorente\u003cbr\u003eSoftcover\u003cbr\u003eOtabind\u003cbr\u003e21 x 29.7 cm\u003cbr\u003e200 pages\u003cbr\u003eLanguage: Spanish\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Manuela Lorente","offers":[{"title":"Default Title","offer_id":39436312707187,"sku":"Élponelamúsica","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/el-pone-la-musica-nosotros-bailamos-111906.jpg?v=1679852015"},{"product_id":"terminal-enrique-fraga","title":"Terminal","description":"\u003cp\u003e\u003cem\u003eTerminal\u003c\/em\u003e explores the dehumanisation and isolation caused by a certain lifestyle, that of business trips, starring a select coterie of proud members who constantly travel through a number of unidentified places. Enrique Fraga, VP of an aerospace multinational company, belongs to that club and is one of those passengers who orbit the Earth, occasionally docking at nondescript spaces.\u003c\/p\u003e\n\u003cp\u003eThe photographs that give shape to this book recreate the atmosphere of shadows and flashes of colour that illuminate his journey. Through them, Enrique Fraga is able to reflect on his way of life and express that sense of detachment and that feeling of always being in the same place regardless of the distance, of living in an endless cycle that invariably ends at the starting point.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEnrique Fraga studied mathematics and has spent most of his life working for IT companies. In 2009, he resumed his photography studies and rounded off his education at Blank Paper school, where Óscar Monzón and Fosi Vegue, among many others, influenced his view of the world. At present, he is devoted to his work process and discovering how to articulate his experiences through photography. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eISBN 978-84-09-32614-3\u003cbr\u003eDalpine, 2021\u003cbr\u003ePhotographs: Enrique Fraga\u003cbr\u003eEditing: Gonzalo Golpe, Elisa Miralles\u003cbr\u003eDesign: Tres Tipos Gráficos\u003cbr\u003ePrepress: La Troupe\u003cbr\u003ePrinting: Artes Gráficas Palermo\u003cbr\u003ePaperback with dust jacket\u003cbr\u003e21.5 x 33 cm\u003cbr\u003e160 pages\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Enrique Fraga","offers":[{"title":"Default Title","offer_id":39442606555251,"sku":"Terminal","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/terminal-490657.jpg?v=1679852047"},{"product_id":"tot-ricardo-cases","title":"TOT","description":"\u003cp data-mce-fragment=\"1\"\u003eIn recent years, the photographic work of Ricardo Cases has focused on portraying the particularities of landscape, the precise impact that human behaviour has on it and, consequently, the nature of the people that inhabit and modify it. He concentrates on his immediate geographical surroundings (the town of Torrent, in Valencia), adopting different strategies in his search for the photographic gesture capable of encapsulating a given place in order to fully understand and convey it.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eCarried out between January and June 2019 along the 15 km line separating his home from his daughter’s school, TOT responds to a double concern: on the one hand, the family- and work-related limitations in the life of a photographer; on the other hand, the limitations of the language of photography itself.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThis new book is formulated as a puzzle put together from a portion of someone’s life: that of a father who is also a photographer. His day’s work begins with the pictures he takes of his daughter on the way to school, both in the car and by the entrance. The rest is an adventure where he unveils both the landscape they come across and his hopes and frustrations while attempting to capture it photographically. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith a layout evocative of comic grids as a metaphor of a life adapted to daily routine, TOT displays and exposes the research and production mechanisms behind its images, revealing the resources, difficulties and richness of nuances underlying an orderly sequence of experiences, very much like an act of writing.\u003cbr\u003e\u003cbr\u003eISBN 978-84-09-33863-4\u003cbr\u003eDalpine\/torch press, 2022\u003cbr\u003ePhotographs: Ricardo Cases\u003cbr\u003eDesign: Ricardo Cases + Tipode Office\u003cbr\u003ePostproduction: Arena Retouch\u003cbr\u003ePrinted by Impresum\u003cbr\u003eWith the support of Centro Cultural Las Cigarreras\u003cbr\u003e20 x 23 cm\u003cbr\u003e208 pages (2 books)\u003cbr\u003e1,655 color images\u003cbr\u003eCardboard slipcase + red ribbon\u003cbr\u003e\u003cbr\u003eCo-published with torch press (JP). For customers in the Asia region, please access torch press website.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Ricardo Cases","offers":[{"title":"Default Title","offer_id":39818731028595,"sku":"TOT","price":42.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/tot-652860.jpg?v=1679852061"},{"product_id":"la-luz-que-nos-ciega-antonio-guerra","title":"La luz que nos ciega","description":"\u003cp data-mce-fragment=\"1\"\u003eAntonio Guerra takes the concept of Nature as a starting point to address the dissociation Myth \/ Science and creates a story that speaks of universal themes such as death, illness and pain. \u003cem data-mce-fragment=\"1\"\u003eLa luz que nos ciega\u003c\/em\u003e [The Light That Blinds Us] calls upon the natural environment of inland Spain’s rural areas as a symbolic space for reflection to trace a journey through science fictions, dead myths, reason and emotion, in a search for the frictions between natural and cultural space.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn contrast to the bucolic, idealised view of the countryside and its processes, detached from the actual lifestyle in rural areas, here we encounter a claustrophobic atmosphere, an extreme representation of nature’s workings that analyses territory through disaster. Hallucinatory landscapes, wounded animals and characters drifting between two different times shape a land brimming with traces and absences.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eLa luz que nos ciega\u003c\/em\u003e is an encounter with the author’s biography in which the concepts of memory, death and rupture echo through each decision leading to its creation.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eAntonio Guerra (Zamora, 1983) is a visual artist based in Madrid. He holds a Master’s Degree in Photography and Project Management from Efti, Artes Visuales at the Miguel Hernández University and a Degree in Art and Design from the Salamanca School of Arts.\u003cbr\u003e\u003c\/em\u003e\u003cem\u003eHis work has been showcased in solo exhibitions at art centres such as DA2 in Salamanca, the Niemeyer Centre in Asturias, the Sala Amárica in Vitoria, the Centro Leonés de Arte and the PhotoEspaña Festival in Madrid, as well as in a number of national galleries.\u003cbr\u003e\u003c\/em\u003e\u003cem\u003eHis work has earned him grants from institutions such as the Miró Mallorca Foundation, the MUSAC in León, the Regional Government of Madrid, the Villalar Foundation, VEGAP and the Casa de Velázquez - Académie de France in Madrid.\u003cbr\u003e\u003c\/em\u003e\u003cem\u003eHe has been nominated for the Futures Amsterdam European programme and has taken part in festivals such as the Mediterranea Young Artists Biennales held in Ancona (Italy) and Thessaloniki (Greece), the Outono Fotográfico in Ourense and the Encontros Da Imagem in Braga.\u003cbr\u003e\u003c\/em\u003e\u003cem\u003eNoteworthy among his collective exhibitions are those held at the BredaPhoto Festival in the Netherlands, the Círculo de Bellas Artes of Madrid, CA2M Móstoles, the Cervantes Institute in Madrid and the Embassy of Spain in Cuba.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eISBN 978-84-09-33862-7\u003cbr\u003eDalpine \/ La Kursala, 2022\u003cbr\u003ePhotographs: Antonio Guerra\u003cbr\u003eDesign: underbau\u003cbr\u003ePrepress: La Troupe\u003cbr\u003ePrinting: Durero\u003cbr\u003eSoftcover\u003cbr\u003eOtabind, untrimmed\u003cbr\u003e96 pages\u003cbr\u003e16,5 x 22,4 cm\u003c\/p\u003e","brand":"Antonio Guerra","offers":[{"title":"Default Title","offer_id":39984174760051,"sku":"LaLuz","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/la-luz-que-nos-ciega-475591.jpg?v=1679852036"},{"product_id":"y-a-esta-rata-quien-la-mata-manuela-lorente","title":"¿Y a esta rata quién la mata?","description":"\u003cp data-mce-fragment=\"1\"\u003eFredy, Asgar, Benito and Agustín are part of a building crew of Atlético de Madrid fans. 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Once again, she does so by interweaving images of everyday life in her city with a new cast of fictional characters, literature and film dialogues.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eISBN 978-84-09-40007-2\u003cbr data-mce-fragment=\"1\"\u003eDalpine, 2022\u003cbr data-mce-fragment=\"1\"\u003ePhotographs: Manuela Lorente\u003cbr data-mce-fragment=\"1\"\u003eConcept: Héctor López Gamero \u0026amp; Manuela Lorente\u003cbr data-mce-fragment=\"1\"\u003eDesign: Jaime Narváez\u003cbr data-mce-fragment=\"1\"\u003ePrepress: Taller Digigráfico\u003cbr data-mce-fragment=\"1\"\u003eTexts: Pedro Colao León \u0026amp; Manuela Lorente\u003cbr data-mce-fragment=\"1\"\u003ePaperback\u003cbr data-mce-fragment=\"1\"\u003eOtabind\u003cbr data-mce-fragment=\"1\"\u003e21 x 29.7 cm\u003cbr data-mce-fragment=\"1\"\u003e120 pages\u003cbr data-mce-fragment=\"1\"\u003eLanguage: Spanish\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/www.phe.es\/premio-al-mejor-libro-de-fotografia-del-ano\/\"\u003eShortlisted for PhotoEspaña Best Book of the Year Award 2023\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Manuela Lorente","offers":[{"title":"Default Title","offer_id":40187370897523,"sku":"Rata","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/y-a-esta-rata-quien-la-mata-551406.jpg?v=1679852058"},{"product_id":"oasis-lise-gaudaire","title":"Oasis","description":"\u003cp data-mce-fragment=\"1\"\u003eLise Gaudaire carries out an anthropological, documentary, artistic -and also probably intimate and introspective- search or investigation through the Axarquia valley (from the Arabic \u003cem data-mce-fragment=\"1\"\u003eAsh Sharqiyah\u003c\/em\u003e, الشرقية; \"eastern\"), in Andalusia, between the Costa del Sol and the Costa Tropical.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn this region, “exotic” fruits and vegetables are cultivated on a large scale and intensively, in monoculture, as is the case with avocados, which today occupy the slopes of the mountains as far as the eye can see. Although the landscape of the Axarquia may seem green at first glance, under its generous foliage a raw, parched, thirsty and monochrome soil can be seen.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAnd yet, in the heart of this \"almost desert\", Lise finds a reassuring bubble of greenery, an oasis: Fernando's greenhouse, where he consciously grows plants with low water consumption.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn \u003cem\u003eOasis\u003c\/em\u003e, Lise Gaudaire reveals her own experiences and projections to raise the notions of disorientation, exoticism or mental and fantastic representation of the landscape. If the word today evokes a fertile island due to the presence of water in the middle of a vast desert, it is often forgotten that an oasis is artificial, entirely created by man, whose permanent attention is necessary to ensure the proper maintenance of the irrigation system: in short, an artificial paradise. The oasis is not just a shady palm grove: behind the cliché, it raises the terribly contemporary questions of the globalized economy and its ecological impact, sustainable agriculture and water consumption.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLise Gaudaire focuses her work on the relationships that man maintains with the landscape, his territory, the way he has of contemplating and apprehending it and, especially, those who work on it.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBeyond their sensitive dimension, her photographic series resemble both an anthropological study and an archeology of the landscape. In her works, Lise Gaudaire mixes photography, drawing and writing, seeking to question the artistic gesture itself through the decompartmentalization of disciplines and their inexhaustible dialogue. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIn 2019, she received \"L'aide Inviduelle à la Création\" from the DRAC Bretagne, France. In 2020 she enjoyed two residencies: at the Galerie L'Imagerie de Lannion and at the Center d'Art Contemporain de Pontmain, both in France. In 2021 she was selected to do a one-year residency at the Académie de France-Casa de Velázquez, in Madrid, and she obtained a scholarship from the Institut français.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eISBN: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e978-84-09-44290-4\u003c\/span\u003e\u003cbr\u003eDalpine, 2022\u003cbr\u003ePhotographs \u0026amp; drawings: Lise Gaudaire\u003cbr data-mce-fragment=\"1\"\u003e Texts: Lise Gaudaire \u0026amp; Émilie Flory\u003cbr\u003eDesign: Jaime Narváez\u003cbr data-mce-fragment=\"1\"\u003e Pre-press: La Troupe\u003cbr\u003ePrinted by Artes Gráficas Palermo\u003cbr\u003e16 x 20,5 cm\u003cbr\u003e96 pages\u003cbr\u003eSoftcover with slipcase\u003cbr\u003eLanguage: bilingual French\/Spanish\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Lise Gaudaire","offers":[{"title":"Default Title","offer_id":40427133599859,"sku":"Oasis","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/oasis-886891.png?v=1679852039"},{"product_id":"leve-martin-estol","title":"Leve","description":"\u003cp data-mce-fragment=\"1\"\u003eIn \u003cem data-mce-fragment=\"1\"\u003eLeve\u003c\/em\u003e, Martín Estol claims a space for fantasy. As opposed to a conventional reading of the family biography, text and images coalesce in this account, exploring and honouring the figure of a protagonist—the author’s father—who has the ability to negate the force of gravity. This book reveals the fragility of both memory and body, and thus of the human condition, from the open, free-flowing, unstable perspective of verisimilitude while highlighting the power of photography to create universes.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThrough the use of images, Martín Estol explores transformation processes. Those personal or social \u003c\/em\u003e\u003cem data-mce-fragment=\"1\"\u003eexperiences that mark turning points. He resorts to books in his search for a tangible medium to put thoughts and voices in order. He showcases and publishes his projects knowing they provide opportunities for experimentation within a process that is continuous and unique. He studied under Filiberto Mugnani and Adriana Lestido. His works have been published by La Luminosa and Ediciones Larivière. He is the co-founder of learning platforms CAMPO and Proyecto Imaginario. His project \u003c\/em\u003eLeve\u003cem data-mce-fragment=\"1\"\u003e was granted the Fiebre Dummy Award (2021).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eISBN 978-84-09-42998-1\u003cbr\u003eDalpine \/ Fiebre Photobook, 2022\u003cbr\u003ePhotographs \u0026amp; Texts: Martín Estol\u003cbr\u003eEditing: Fosi Vegue \u0026amp; Martín Estol\u003cbr\u003eDesign: Jaime Narváez\u003cbr\u003ePrepress: La Troupe\u003cbr\u003ePrinting: Artes Gráficas Palermo\u003cbr\u003eFlexbinder with polypropylene cover\u003cbr\u003e17 x 23 cm\u003cbr\u003eLanguage: Spanish\/English bilingual edition \u003cbr\u003eEdition of 500 copies\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Martín Estol","offers":[{"title":"Default Title","offer_id":40452280582259,"sku":"Leve","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/leve-253322.jpg?v=1679852034"},{"product_id":"subida-al-cielo-lua-ribeira","title":"Subida al cielo","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eSubida al cielo\u003c\/em\u003e features five bodies of work by Galician photographer Lúa Ribeira made between 2016 and 2020: Subida al cielo, Las visiones, Aristócratas, La Jungla and Los afortunados [Ascent into Heaven, The Visions, Aristocrats, The Jungle and The Fortunate Ones]. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIn these five series, Ribeira approaches topics with a historical relation to documentary photography and representation, often within the context of institutionally constructed or held groups, or spontaneous anti-structures that emerge on the margins of society. \u003cem data-mce-fragment=\"1\"\u003eLos afortunados\u003c\/em\u003e takes place in Melilla alongside a group of young people in their journey to reach Europe from Morocco. In Galicia, Ribeira’s homeland, \u003cem data-mce-fragment=\"1\"\u003eAristócratas\u003c\/em\u003e is made in collaboration with a religious institution that cares for a community of women with cognitive disabilities. \u003cem data-mce-fragment=\"1\"\u003eLas visiones\u003c\/em\u003e, made during a Semana Santa celebration, deals directly with Spain’s ancestral and cultural religiosity.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDespite their broad territorial scope, all five series are grouped and presented together — with no chapter separations between projects by virtue of their shared motivation:  Ribeira’s attempt to put on hold learnt constructions and use photography to create spaces of encounter that can transcend structural separations. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe projects are also linked by their formal approach. In a highly conscious manner, within her image-making, Ribeira uses theatricalisation as a strategy to transgress prevailing political dimensions and removes the overwhelming context in which she has become immersed, allowing gestures and the human figure to take centre stage. This intent results in pictures that transcend the purely documentary and enter a space where the influence of mythological, archetypal and religious imagery resonates, especially in the representation of the human struggle. This is further evidenced by the sketches, pictorial reproductions and vernacular photographs that Lúa Ribeira collects as part of her process \u003cspan data-mce-fragment=\"1\"\u003eto study them \u003c\/span\u003eas cues and precedents for her contemporary enquiries. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThroughout the book, the changes in space and time become dreamlike; as we settle in one place, the terrain \u003cspan data-mce-fragment=\"1\"\u003equickly\u003c\/span\u003e shifts to another, allowing new perceptions to emerge. ‘Subida al Cielo’ means ‘ascent into heaven’. It is an effort to sever our ties to the earth, to \u003cspan data-mce-fragment=\"1\"\u003eshake off \u003c\/span\u003ethe weight of our body and its gravity, to step outside ourselves and open the door to the inevitability of the unexpected. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe volume is accompanied by an in-depth essay by philosopher Carlos Skliar titled ‘The Fragile Look’. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eLúa Ribeira (As Pontes, Galicia, 1986) is currently an Associate member of Magnum Photos based in Bristol, U.K. She graduated in Documentary Photography from the University of South Wales in 2016 and since then she has continued her engagement in education running workshops and as a guest lecturer at various universities. She has received the Firecracker Grant for Women in Photography and the Jerwood\/Photoworks Awards in 2018. She was nominated for the Foam Paul Huf Award and Prix Pictet 2019. Her work \u003c\/em\u003eNoises\u003cem data-mce-fragment=\"1\"\u003e has been published in book form by Fishbar, London in 2017, and has been featured in \u003c\/em\u003eFirecrackers: Female Photographer Now\u003cem data-mce-fragment=\"1\"\u003e published by Thames and Hudson as well as Raw View Magazine, “Women looking at Women”. Her work has been exhibited internationally in both solo and group shows in venues including ICP (NY), Impressions Gallery (Bradford), Ffotogallery (Cardiff), Belfast Exposed, Beijing International Photography Biennale, Tabacalera (Madrid) and Fundacion Seoane (Coruña), amongst others. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eISBN 978-84-09-46406-7\u003cbr\u003eDalpine, 2023\u003cbr\u003ePhotographs: Lúa Ribeira\u003cbr\u003eText: Carlos Skliar\u003cbr\u003eDesign: Tipode Office\u003cbr\u003ePre-press: La Troupe\u003cbr\u003ePrinted by Artes Gráficas Palermo\u003cbr\u003e212 pages\u003cbr\u003e102 colour photographs\u003cbr\u003eHardcover\u003cbr\u003eFormat: 27 x 21 cm\u003cbr\u003eBilingual edition Spanish\/English \u003cbr\u003e \u003cbr\u003e\u003c\/p\u003e","brand":"Lúa Ribeira","offers":[{"title":"Default Title","offer_id":40687437316211,"sku":"SAC","price":52.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/subida-al-cielo-699141.jpg?v=1679852052"},{"product_id":"dinosaur-joan-fontcuberta","title":"HeghDI' vem ghaH, tu'lu' Dinosaur","description":"\u003cp\u003e\u003cem\u003eHeghDI' vem ghaH, tu'lu' Dinosaur\u003c\/em\u003e (which translates from Klingon as “Upon awakening, the dinosaur was still there”, a micro-story by Augusto Monterroso) tells a previously unknown story about the Klingon race.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIt is common knowledge that, ever since the Jurassic period, when the dinosaurs were their loyal pets, Klingons withdrew to planet Qo’noS, located in the Beta Quadrant, and did not cross paths with humanity again until the wars against the Romulan Star Empire and their trials and tribulations with the United Federation of Planets. This document reveals their unprecedented plans to take over Earth with the help of their pets which, as a result of genetic engineering, have now become a weapon of mass destruction.\u003c\/p\u003e\n\u003cp\u003eThis work is printed in the original Klingon language, in which, to date, only translations of classics such as the \u003cem\u003eEpic of Gilgamesh\u003c\/em\u003e and Shakespeare’s \u003cem\u003eHamlet\u003c\/em\u003e and \u003cem\u003eMuch Ado About Nothing\u003c\/em\u003e have been published. A translation of the text is available via a QR code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e***\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHeghDI' vem ghaH, tu'lu' Dinosaur \u003c\/em\u003efeatures a selection of black and white photographs of dinosaurs taken by Joan Fontcuberta (Barcelona, 1955) over the years – since 1989, when he was working on his series entitled “Animal-trouvé” – at archaeological sites, natural history museums and theme parks, along with others generated using text-to-image AI software.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eJoan Fontcuberta is an artist, essayist, teacher and exhibition curator. His creative work explores the conflicts between nature, technology, photography and truth, and has been the subject of many solo exhibitions and monographic publications over the past five decades. Many of his projects are presented as fictional narratives that parody authoritarian mechanisms for the spreading of information and the transfer of knowledge (politics, religion, the media, science, cultural industries, etc.), usually aimed at fuelling doubt and triggering a critical attitude in the audience. His theoretical writings include \u003cem\u003eEl beso de Judas. Fotografía y verdad\u003c\/em\u003e (Gustavo Gili, 1997), \u003cem\u003eLa cámara de Pandora \u003c\/em\u003e(Gustavo Gili, 2010) [\u003cem\u003ePandora’s Camera: Photography after Photography\u003c\/em\u003e; Mack, 2014] and \u003cem\u003eLa furia de las imágenes: notas sobre la postfotografía \u003c\/em\u003e(Galaxia Gutenberg, 2016).\u003c\/p\u003e\n\u003cp\u003eIn 2013, Joan Fontcuberta received the Hasselblad Foundation International Award in Photography, and in 2020, he was granted the title of Doctor Honoris Causa by the Sorbonne University of Paris 8.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eISBN 978-84-09-48085-2\u003cbr\u003eDalpine, 2023\u003cbr\u003ePhotographs \u0026amp; Text: Joan Fontcuberta\u003cbr\u003eDesign \u0026amp; Cover Illustration: Nagore M. Jauregi \/ La Machine Gráfica\u003cbr\u003eEnglish Translation: Goren Arauz\u003cbr\u003ePhotoengraving \u0026amp; Pre-press: La Troupe\u003cbr\u003ePrinted by Artes Gráficas Palermo\u003cbr\u003eHardcover\u003cbr\u003e27 x 20 cm\u003cbr\u003e124 pages\u003cbr\u003e80 tritone photographs\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Joan Fontcuberta","offers":[{"title":"Default Title","offer_id":46503377142107,"sku":"Dinosaur","price":42.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/products\/heghdi-vem-ghah-tulu-dinosaur-325930.jpg?v=1686238086"},{"product_id":"agosto-michele-tagliaferri","title":"Agosto","description":"\u003cp\u003eIn \u003cem\u003eAgosto\u003c\/em\u003e, following in the wake of his previous book, \u003cem\u003eA Swimming Pool\u003c\/em\u003e, Michele Tagliaferri delights in repetition. Here, the constant evocation of summers in his Tuscan hometown stirs up a bittersweet feeling of longing. The child who was able to enjoy every moment of every summer as if it were unique, special, becomes an adult in need of more who seeks the beauty and intensity of those moments spent at the beach.\u003c\/p\u003e\n\u003cp\u003eThe days go by with their routines, as do the years with their summers. Images of a city bathed in the evening sun are shown alongside scenes of intimate family life and the memory of days by the sea. The photographs persistently seek a glimmer, a small crack of discontent through which to propel oneself and build a bridge between the past and the future.\u003c\/p\u003e\n\u003cp class=\"Default\" style=\"margin-top: 0cm; line-height: normal;\" data-mce-fragment=\"1\" data-mce-style=\"margin-top: 0cm; line-height: normal;\"\u003e\u003cspan lang=\"ES-TRAD\" style=\"font-size: 11.5pt; color: #555555; background: white;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 11.5pt; color: #555555; background: white;\"\u003eISBN \u003c\/span\u003e978-84-09-57307-3\u003cbr\u003eDalpine, 2024\u003cbr\u003e92 pages\u003cbr\u003e29 x 17 cm\u003cbr\u003eDesign: Antonio Xoubanova\u003cbr\u003eText by Leonardo Tagliaferri\u003c\/p\u003e\n\u003cp class=\"Default\" style=\"margin-top: 0cm; line-height: normal;\" data-mce-fragment=\"1\" data-mce-style=\"margin-top: 0cm; line-height: normal;\"\u003e\u003cspan lang=\"ES-TRAD\" style=\"font-size: 11.5pt; color: #555555; background: white;\" data-mce-fragment=\"1\" data-mce-style=\"font-size: 11.5pt; color: #555555; background: white;\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Michele Tagliaferri","offers":[{"title":"Default Title","offer_id":47890293883227,"sku":"AGO","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/files\/Agosto-cubierta.jpg?v=1711364296"},{"product_id":"hun-julia-mejnertsen","title":"HUN","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eHUN is Julia Mejnertsen’s long-term photographic research about our perception of nature. Through her mother’s hunting practice, the Danish photographer reflects both on the complex family bonds we build and the psychological aspects of our failed relations with other living forms.\u003cbr\u003e\u003cbr\u003eThrough nine chapters, the book depicts her relationship with nature, animals, and hunting —with sketches of elephants, photographs of animals and nature in the Zoo, snapshots from the photographer’s family album, hunting scenes, a conversation between mother and daughter and more—. Julia Mejnertsen tells us a story about how, in her own words, “white, western societies have structured and shaped the world’s cultural understanding of nature”.\u003cbr\u003e\u003cbr\u003eThe book includes an essay by French naturalist Grégoire Loïs (CNRS, CESCO, MNHN – France).\u003cbr\u003e\u003cbr\u003eHUN has been published thanks to the Fiebre Photobook’s 2022 Dummy Award in collaboration with Dalpine, Artes Gráficas Palermo and La Troupe.\u003cbr\u003e\u003cbr\u003eHUN won the Fiebre Photobook 2022 Dummy Award, was awarded a Special Mention by the Jury of LUMA Rencontres Dummy Book Award Arles 2023 and won the Kassel Dummy Award 2023.\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e\u003ci\u003eIn her work, Julia Mejnertsen (b. 1983) explores family mythologies. Through her practice, she unravels the intricate stories and narratives that shape our familial connections, revealing the profound impact they have on our identities and perceptions of self. Julia’s exploration of family mythologies is sometimes a journey that starts from self-discovery and introspection, inviting viewers to reflect on their own family experiences and the profound human connections that define us all. Through her work, she exposes the falsehoods, paradoxes, and oppressive nature of learned narratives, while employing visual storytelling to subvert and critique their enduring power. Julia’s ideas challenge conventional norms and ignite crucial conversations about race, identity, and power dynamics. With each photographic project, she invites viewers to reevaluate their understanding of history by reminding us that the way we see is a function of our individual condition.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eISBN 978-84-09-58677-6\u003cbr\u003eDalpine\/Fiebre Photobook, 2024\u003cbr\u003eConcept, images, research: Julia Mejnertsen\u003cbr\u003eVisualization: Sergio Valenzuela-Escobedo\u003cbr\u003eArt direction, editorial design, editing: Ricardo Báez\u003cbr\u003eScanning \u0026amp; Pre-press: La Troupe\u003cbr\u003ePrinting: Artes Gráficas Palermo\u003cbr\u003eSoftcover\u003cbr\u003e268 pages\u003cbr\u003e17 x 23 cm\u003cbr\u003eLanguage: English\u003cbr\u003eText: Grégoire Loïs\u003c\/p\u003e\n\u003c!----\u003e","brand":"Julia Mejnertsen","offers":[{"title":"Default Title","offer_id":48437749842267,"sku":"HUN-JULIA","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/files\/HUN_Cover.png?v=1717756479"},{"product_id":"kiss-marina-bobo","title":"KISS","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e“The idea is to further explore the intricacies of passion. The sugar-coated conception of passion is biased. It must be stripped of that pasteurised coating that envelops it in the eyes of much of the public opinion. As if passion were all good, beautiful and naïve, when in reality it is somewhat of a prison for those who have it, one that can lead them to some very dark places.”\u003cbr\u003e\u003cbr\u003eBuilding on this reflection by writer and historian Eduardo Sacheri on the role of passion in the lives of football players, in KISS, photographer Marina Bobo Marco makes use of the kissing gesture as an element of passion in order to question the concept of passion in all areas.\u003cbr\u003e\u003cbr\u003eThrough 77 archival images—since 77 is the average number of crimes involving emotional ties committed every hour worldwide, according to the author's estimates—the book shows how passion can transform and degenerate in the same way that our perception of these images changes once we learn the stories surrounding their protagonists. Thus, the book presents one hour of passion reified into images.\u003cbr\u003e\u003cbr\u003eAddressing this transformation of passion also means addressing the elements that corrupt it. In KISS, the headlines accompanying the images reveal highly controversial sociological and cultural issues, both historically and to this day: gender violence, motherhood, religion, money, the power of the media to influence public opinion, and the toxicity of social networks.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMarina Bobo (Madrid, 1996) graduated in Fine Arts from the Complutense University of Madrid and later attained a Master’s Degree in Contemporary Photography and Project Management at EFTI.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith an interest in observing the individual in society, her work focuses on understanding the causes and consequences of violence through the study of cultural, social and historical dynamics. By exploring the relationship between this phenomenon and the standardisation of behaviour, the alienation between cultures and the limits imposed by teachings and beliefs passed down through generations, she seeks to encourage our understanding of human complexity and its implications for our individual and collective well-being.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eISBN 978-84-09-60061-8\u003cbr\u003eLa Kursala\/Dalpine, 2024\u003cbr\u003eKursala 100 Coordinator: Jesús Micó\u003cbr\u003eDesign: Tres Tipos Gráficos\u003cbr\u003ePrinting: Artefacto\u003cbr\u003eSoftcover\u003cbr\u003e12 x 16 cm\u003cbr\u003e312 pages\u003cbr\u003e77 photographs\u003c\/p\u003e\n\u003c!----\u003e","brand":"Marina Bobo","offers":[{"title":"Default Title","offer_id":48437913747803,"sku":"KISS","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/files\/Kiss_marina-bobo-portada.png?v=1728845488"},{"product_id":"carnage-visor-vvv-inaki-garmendia","title":"Carnage Visor VVV","description":"\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan lang=\"EN-GB\"\u003eCarnage Visor VVV \u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-GB\"\u003epresents a visual record of artist Iñaki Garmendia’s extensive unpublished video and documentary material. Spanning 120 pages, including 23 documents that serve as markers, the book selects and arranges diverse materials into a continuous sequence based on four case studies: Faux départs: Mariaratz\/Arkaka [also known as “video of the dam”], Villas Vascas, Fourteen-Years-Old-Runaway-Boy and Txitxarro\/Bolueta Front 242. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eAs in his video works, here the relationships established by Garmendia between diverse materials –photographs, stills, texts, photocopies– and the unique sequencing of the book’s contents –from the Basque landscapes and architecture to the nighttime recording of a body inside a car or the series of photographs taken in the Txitxarro nightclub– allow for multiple readings. We bear witness to a series of events, some real and some enacted, whose meaning is disrupted. Faced with the aesthetic and referential universe created by Garmendia, the reader’s perception is key in establishing a narrative that gives them continuity.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eThe book also includes a fifth case study presented separately as an annex: a series of images of the intervention and exhibition project “Tramar lo gótico. N-634”, carried out in collaboration with BeAr Architects in Travesía de Tívoli (Bilbao) in November 2023.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-GB; mso-fareast-language: ES-TRAD;\" lang=\"EN-GB\"\u003eIñaki Garmendia \u003c\/span\u003e\u003cspan style=\"font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: ES-TRAD;\" lang=\"EN-US\"\u003e(Ordizia, 1972) \u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-GB; mso-fareast-language: ES-TRAD;\" lang=\"EN-GB\"\u003e\u003cem\u003ebelongs to a generation of Basque artists who have carried out their work in a context marked by paradoxical trends: cultural nationalism and globalisation have provided the ingredients for an aesthetic in which diverse meanings often overlap. Video, music, youth subcultures and certain industrial products heighten the tension between the different readings of his work. His processes often begin with the creation of derivatives, versions of cultural objects to which he remains secretly attached and on which he works following a logic of attrition. This is most apparent in his video production over the past 20 years. The extensive footage with which he typically presents his works seems to plunge us into the very event captured by the camera. Despite this, his works remain opaque, void of a traditional narrative, and exist within some sort of abstraction reminiscent of one of the most basic principles of expanded cinema. Furthermore, his tendency towards punk-derived aesthetics lends a certain resistance to orality to his work. Overall, Garmendia’s works avoid an immediate ascription of meaning and reject the instrumentalization of presignified images and scenes.\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eISBN: 978-84-09-61775-3\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eFirst edition, Dalpine, 2024\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cbr\u003eImages \u0026amp; editing: Iñaki Garmendia\u003cbr\u003eDesign: Pierre Hourquet\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003ePrinting: Artefacto \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eSoftcover\u003cbr\u003e120 pages + 8-page annex\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: ES;\" lang=\"ES\"\u003e29x21 cm\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: ES;\" lang=\"ES\"\u003eLanguage: Spanish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: ES;\" lang=\"ES\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Iñaki Garmendia","offers":[{"title":"Default Title","offer_id":48970779787611,"sku":"9788409617753","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/files\/CARNAGE_Dalpine_01.png?v=1727196659"},{"product_id":"los-tamarindos-de-la-concha-ricardo-cases","title":"Los tamarindos de La Concha","description":"\u003cp\u003e\u003cem\u003eLos tamarindos de La Concha\u003c\/em\u003e [La Concha’s Tamarinds] is the continuation of photographer Ricardo Cases's urban exploration, which began in 2018 in the city of Valencia and was published in 2023 under the title \u003cem\u003eEl ficus del Parterre\u003c\/em\u003e [El Parterre’s Ficus]. These brief photographic essays are now joined by those carried out in San Sebastián in 2024, following an artist residency proposed by Kutxa Fundazioa.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLos tamarindos de La Concha\u003c\/em\u003e consists of five fanzines, each dedicated to one of his photographic series created in San Sebastián. The production of these fanzines reflects an editorial practice that Cases engages in daily in his local area. His routine of exploration and photography, this time in an unfamiliar urban environment, is swiftly followed by an editing and publishing process.\u003cbr\u003e\u003cbr\u003ePresented as brief essays, these photographs capture Cases’s emotional response to the stimuli he encounters by chance in the city, through which he explores new compositional approaches. The city acts as a catalyst, offering fertile ground to push the boundaries of the image and play with the concept of estrangement, while avoiding a passive, sterile portrayal. He also seeks to address local issues, proposing symbols that explore the nature and identity of those who inhabit the landscape.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBorn in Orihuela (Spain) in 1971, Ricardo Cases holds a BA in Information Sciences from the University of the Basque Country (Spain). In 2006 he joined the Blank Paper photography collective. He has published several photobooks: \u003c\/em\u003eBelleza de barrio\u003cem\u003e (2008), \u003c\/em\u003eLa caza del lobo congelado\u003cem\u003e (2009), \u003c\/em\u003ePaloma al aire\u003cem\u003e (2011), \u003c\/em\u003eEl porqué de las naranjas\u003cem\u003e (MACK, 2014), \u003c\/em\u003eEl blanco \u003cem\u003e(Dalpine, 2016), \u003c\/em\u003eSol \u003cem\u003e(Dalpine, 2017), \u003c\/em\u003eEstudio elemental del Levante\u003cem\u003e (Dalpine, 2020), \u003c\/em\u003eParques infantiles\u003cem\u003e (Dalpine, 2021) and \u003c\/em\u003eTOT\u003cem\u003e (Dalpine, 2022).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“His photographic work focuses on the yearnings of the human being, the deep and universal longings of the citizen of the mass society, fighting against banality in an effort to transcend, confronting his own dignity with a medium always untrustworthy. To this end, he turns his eye to expressions of contemporary folklore, looping for the truth of the Spaniard: a townsman who is forced to live in the city, in modernity. Beyond a pop appearance —distant and cynical— he is interested in what is human and anthropological. Beyond the social and documentary, he searches for the truthful and universal pulsations beating beneath the banal surface —often kitsch and lacking glamour— of contemporary Spain.” (Luis López Navarro).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003eISBN 978-84-09-64766-8\u003cbr\u003eDalpine\/Kutxa Fundazioa, 2024\u003cbr\u003eDesign: Tipode Office\u003cbr\u003ePrinting: Impresum\u003cbr\u003eSlipcase + folder + 5 fanzines\u003cbr\u003e180 pages\u003cbr\u003e29,7 x 21 cm\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Ricardo Cases","offers":[{"title":"Default Title","offer_id":49546103226715,"sku":"Tamarindos","price":38.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/files\/LosTamarindosdeLaConcha-cover.png?v=1733239273"},{"product_id":"imagenes-latentes-joan-fontcuberta","title":"Imágenes latentes. La fotografía en transición","description":"\u003cp style=\"text-align: justify;\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003e**This title is only available in Spanish**\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eJoan Fontcuberta, recipient of Spain’s National Photography Award (1998) and National Essay Award (2011), brings together his dual expertise to further explore the fractures of contemporary visual culture.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThrough both artistic practice and critical reflection, this collection of essays delves into the latent aspects of the image—the traces and imprints through which photography leaves its mark on human experience, whether emotional, social, or political. What remains of photography in the 21st century as a fragment and vestige, as an act of curiosity and archiving? How does it persist in an era of post-truth and selfies, of social media’s indiscreet windows and generative artificial intelligence?\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003eImágenes latentes. La fotografía en transición\u003c\/em\u003e offers essential insights into an oversaturated visual world, where the question is no longer just how to reveal the photographic, but how photography reveals us.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJoan Fontcuberta is an artist, essayist, teacher and exhibition curator. His creative work explores the conflicts between nature, technology, photography and truth, and has been the subject of many solo exhibitions and monographic publications over the past five decades. Many of his projects are presented as fictional narratives that parody authoritarian mechanisms for the spreading of information and the transfer of knowledge (politics, religion, the media, science, cultural industries, etc.), usually aimed at fuelling doubt and triggering a critical attitude in the audience. His theoretical writings include \u003c\/em\u003eEl beso de Judas. Fotografía y verdad \u003cem\u003e(Gustavo Gili, 1997), \u003c\/em\u003eLa cámara de Pandora \u003cem\u003e(Gustavo Gili, 2010) [Pandora’s Camera: Photography after Photography; Mack, 2014], \u003c\/em\u003eLa furia de las imágenes: notas sobre la postfotografía\u003cem\u003e (Galaxia Gutenberg, 2016) and \u003c\/em\u003eDesbordar el espejo\u003cem\u003e (Galaxia Gutenberg, 2024).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 2013, Joan Fontcuberta received the Hasselblad Foundation International Award in Photography, and in 2020, he was granted the title of Doctor Honoris Causa by the Sorbonne University of Paris 8.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003eISBN 978-84-09-69077-0\u003cbr\u003eFirst edition: Dalpine, 2025\u003cbr\u003eTranslated from Catalan by Gemma Deza Guil\u003cbr\u003eCover design and layout: Nerea García Pascual\u003cbr\u003eFormat: 139x216 mm\u003cbr\u003eBinding: Softcover with flaps\u003cbr\u003eNumber of pages: 281\u003cbr\u003e\u003cstrong\u003eLanguage: Spanish\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp style=\"text-align: justify;\"\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Joan Fontcuberta","offers":[{"title":"Default Title","offer_id":50086529991003,"sku":"Imagenes latentes","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/files\/Imageneslatentescover.png?v=1743612737"},{"product_id":"eclipse","title":"Eclipse","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003eEclipse\u003c\/em\u003e, a photographic work by Lucía Antebi, unfolds through a series of images captured in El Parque del Buen Retiro in Madrid between 2018 and 2020.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn this work, Antebi returns to a recurring theme that shapes her artistic narrative: the mystery of nature and the cosmos, which — like a hall of mirrors — evokes the light and shadows of a particular stage of life: adolescence, where brightness and darkness intertwine by chance.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis is an introspective journey in which the artist walks through the park to the point of exhaustion, seeking to empty herself and reconnect with her identity. Along the way, she photographs young women, glimpsing in them echoes of past sensations to compose a dialogue between past and present.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003eEclipse\u003c\/em\u003e is an intimate exploration of the fragile passage from adolescence to adulthood — a reflection on the shifting nature of time, and the void that stretches between one life stage and the next, on what is inevitably left behind, and the identity that emerges in passing through it.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eISBN 978-84-09-71576-3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDalpine\/La Kursala, 2025\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePhotographs and editing: Lucía Antebi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesign: Kentaro Terajima\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePre-press: La Troupe\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinting: Izquierdo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eFormat: 23 x 33 cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBinding: rústica\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOffset printing\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e96 pages\u003c\/span\u003e\u003c\/p\u003e","brand":"Lucía Antebi","offers":[{"title":"Default Title","offer_id":50613049983323,"sku":"Eclipse","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/files\/Eclipsecover.png?v=1748268090"},{"product_id":"lua-ribeira-agony-in-the-garden","title":"Agony in the Garden","description":"\u003cp\u003e\u003cstrong\u003eStandard edition \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSigned edition + print:\u003c\/strong\u003e signed book + print (only 50 copies available): \u003cbr\u003e\u003cem\u003eMaraatack\u003c\/em\u003e, Barrio Alto, Almería (Spain), 2022\u003cbr\u003eDigital C-type on Fujifilm Maxima, 22 x 19 cm\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAgony in the Garden\u003c\/em\u003e is a series by Lúa Ribeira created in the peripheries of Madrid, Málaga, Granada and Almería. Inspired by the potential of contemporary counter-culture, she has collaborated with young people to make images that reflect on the alienation and uncertainty of the present era, resulting in a landscape suspended in time, one that appears both contemporary and ancient.\u003cbr\u003e\u003cbr\u003eThe sequence takes us through a barren, almost videogame-like landscape, where we encounter people who emerge as characters of an environment that is both local and global. The clothing, gestures and signs show affinities with and influence from online worlds and personas, echoing the extremes of hedonism and nihilism, all of which plays out in the backdrop of a rapidly homogenising world.\u003cbr\u003e\u003cbr\u003eFrom this dystopian and sometimes absurd atmosphere, \u003cem\u003eAgony in the Garden\u003c\/em\u003e reflects on the current phenomenon of material overproduction, widespread precariousness, institutional violence, and ongoing financial, migratory and environmental crises. This visceral feeling of uncertainty permeates throughout the work, whilst Ribeira’s inclusion of religious motifs and imagery nods towards more universal themes\u003cbr\u003eand a suspension of temporality. Underpinning all of this is a sense of tragedy and rootlessness, countered only by the energetic vibrancy of the youthful bodies that parade through the photographs.\u003cbr\u003e\u003cbr\u003eBrought together in this book following extensive research and collaboration with her models, \u003cem\u003eAgony in the Garden\u003c\/em\u003e grapples with photography’s weighted disposition to ‘represent’ reality and create testimonials, leaning instead towards a more allegorical view of the contemporary moment.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eStemming from her own heritage as a Galician, Lúa Ribeira’s work deals with dynamics of oppression and the mechanisms of exclusion implied by dominant culture. Her practice is characterised by its collaborative nature, extensive research and an immersive approach to her subject matter. She is interested in using the photographic medium as a means to create encounters that establish relationships and question the structural separations between people and communities.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRibeira (As Pontes, Galicia, 1986) is currently a full member of Magnum Photos based in Bristol, UK. She graduated in Documentary Photography from the University of South Wales in 2016 and since then she has continued her engagement in education running workshops and as a guest lecturer at various universities. She has received the Firecracker Grant for Women in Photography and the Jerwood\/Photoworks awards in 2018. She was nominated for the Foam Paul Huf award and Prix Pictet 2019. Her work has been published in book form by Fishbar, London, in 2017, and has been featured in the publication \u003c\/em\u003eFirecrackers: Female Photography Now\u003cem\u003e published by Thames and Hudson as well as \u003c\/em\u003eRaw View Magazine\u003cem\u003e, “Women Looking at Women”. Her work has been exhibited internationally in both solo and group shows in venues including ICP (NY), Impressions Gallery (Bradford), Ffotogallery (Cardiff), Belfast Exposed, Beijing International Biennale, Tabacalera (Madrid), Fundación Seoane (A Coruña), Kutxa Fundazioa (San Sebastián) amongst others. Currently her work is part of the touring group show Close Enough: New Perspectives from 12 Women Photographers of Magnum curated by Charlotte Cotton.\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eISBN 978-84-09-74386-5\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDalpine, 2025\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePhotographs: Lúa Ribeira\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDesign: Tipode Office\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePre-press: Bread \u0026amp; Butter Studio\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOffset printing by Artes Gráficas Palermo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e64 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e28 x 37cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHardcover with tipped-in image\u003cbr\u003e\u003c\/span\u003eWith the collaboration of Fujifilm\u003c\/p\u003e","brand":"Lúa Ribeira","offers":[{"title":"Standard Edition","offer_id":51427100787035,"sku":"AGONY-STANDARD","price":50.0,"currency_code":"EUR","in_stock":true},{"title":"Signed Edition plus Print","offer_id":51427100819803,"sku":"AGONY-SIGNED-PRINT","price":100.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/files\/Agony_in_the_Garden_-_portada_sombreada.png?v=1760363735"},{"product_id":"maider-lopez-ukitu","title":"Ukitu","description":"\u003cdiv id=\":ti\" class=\"Am aiL Al editable LW-avf tS-tW tS-tY\" aria-label=\"Cuerpo del mensaje\" role=\"textbox\" aria-multiline=\"true\" spellcheck=\"false\" aria-owns=\":w9\" aria-controls=\":w9\" aria-expanded=\"false\" tabindex=\"1\"\u003e\n\u003cdiv\u003e\n\u003cem\u003eUkitu\u003c\/em\u003e, published on the occasion of a dual exhibition at Kutxa Fundazioa and Tabakalera in San Sebastian, brings together a selection of the most recent works by Maider López (San Sebastián, 1975), one of the most established and recognised artists on the contemporary Basque art scene.\u003cbr\u003e\u003cbr\u003eMaider López’s projects draw on the everyday —small gestures and ordinary situations which, when amplified, have the power to disrupt what seemed fixed, opening up new possibilities for connection with others and with the environment. This attention to the minor also implies a reflection on time: many of her works invite us to pause, to become aware, to experience, and to generate memories that endure in both individual and collective consciousness, beyond the fleeting moment of action.\u003cbr\u003e\u003cbr\u003eAt a time when the notion of the collective should be seen as a necessity, the social dimension of her practice acquires particular relevance. Her work activates participatory dynamics that invite us to think about and inhabit the collective through artistic practice.\u003cbr\u003e\u003cbr\u003eThe title, \u003cem\u003eUkitu\u003c\/em\u003e [Touching], refers to the artist’s ability to unsettle and transform the contexts in which she works, as well as to the centrality of the sense of touch in some of her recent projects. It also evokes the affective dimension of art —how we touch and allow ourselves to be touched.\u003cbr\u003e\u003cbr\u003eThe book includes the essay “Touching and Disrupting” by exhibition curator Aimar Arriola, and a conversation between Maider López and Hans Ulrich Obrist, where they delve into topics such as the creation of temporary collectivities, the public space, and art’s capacity to generate systems of relation and transformation.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMaider López (San Sebastián, 1975) develops her work through interventions in public space and architecture. Her projects often require the participation of the viewer, who becomes part of a subtly altered environment. Her work has been widely exhibited both nationally and internationally, including at the Venice Biennale (2005), the Sharjah Biennial (2009), and the Istanbul Biennial (2013).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAmong her solo exhibitions, projects and actions are: \u003c\/em\u003eTocar el Museu\u003cem\u003e, Museu d’Art Modern, Tarragona (2024); \u003c\/em\u003eArnasa\u003cem\u003e, Museo de Bellas Artes, Bilbao (2022); \u003c\/em\u003eArt is happening\u003cem\u003e, Statens Konstråd, Sweden (2019); \u003c\/em\u003e1645 Tizas\u003cem\u003e, Matadero Madrid (2016); \u003c\/em\u003eDesplazamiento\u003cem\u003e, Koldo Mitxelena, San Sebastián, and MARCO, Vigo (2015); \u003c\/em\u003eMountain\u003cem\u003e, Lower Austria Contemporary (2013); \u003c\/em\u003ePolder Cup\u003cem\u003e, Skor and Witte de With, Netherlands (2010); \u003c\/em\u003eÉclats\u003cem\u003e, Centre Pompidou-Metz (2010); Towada Art Center, Japan (2010); \u003c\/em\u003eLine of Sight\u003cem\u003e, Zendai Museum of Modern Art, Shanghai (2008); \u003c\/em\u003eAdosAdos\u003cem\u003e, Guggenheim Bilbao (2007); and \u003c\/em\u003eColumnes\u003cem\u003e, CaixaForum, Barcelona (2006).\u2028\u2028\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cem\u003eShe has also participated in numerous group exhibitions, including \u003c\/em\u003eL’Invention du quotidien\u003cem\u003e, CAPC Musée d’Art Contemporain, Bordeaux (2025); \u003c\/em\u003eChanging Skies\u003cem\u003e, Cappadox, Uçhisar, Turkey (2024); \u003c\/em\u003eHummings\u003cem\u003e, KØS Museum of Art in Public Spaces, Denmark (2021); \u003c\/em\u003eProspect 4. Contemporary Art Triennial\u003cem\u003e, New Orleans (2017); \u003c\/em\u003ePlay Time\u003cem\u003e, Les Ateliers de Rennes, 4th Biennale d’Art Contemporain, Rennes, France (2014); \u003c\/em\u003eMom, I am Barbarian?\u003cem\u003e, 13th Istanbul Biennial (2013); \u003c\/em\u003eSharjah Biennial 9\u003cem\u003e, United Arab Emirates (2009); \u003c\/em\u003eSCAPE Christchurch Biennial of Art in Public Space\u003cem\u003e, New Zealand (2008); and \u003c\/em\u003e51st Venice Biennale\u003cem\u003e (2005).\u2028\u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eISBN 978-84-09-76411-2\u2028\u2028\u003c\/div\u003e\n\u003cdiv\u003eDalpine, 2025\u2028\u2028\u003cbr\u003eText: Aimar Arriola\u003c\/div\u003e\n\u003cdiv\u003eDesign: Joaquín Gáñez\u2028\u2028\u003c\/div\u003e\n\u003cdiv\u003ePre-press and printing: Artes Gráficas Palermo\u2028\u2028\u003c\/div\u003e\n\u003cdiv\u003eHardcover\u2028\u2028\u003c\/div\u003e\n\u003cdiv\u003e17x23 cm\u2028\u2028\u003c\/div\u003e\n\u003cdiv\u003e335 pages\u2028\u2028\u003c\/div\u003e\n\u003cdiv\u003e288 photographs\u003cbr\u003eLanguage: Basque, Spanish \u0026amp; English\u003cbr\u003eIncludes a conversation between Maider López and Hans Ulrich Obrist\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cspan class=\"gmail_signature_prefix\"\u003e\u003c\/span\u003e\u003ca href=\"http:\/\/www.dalpine.com\/\" target=\"_blank\"\u003e\u003cspan style=\"font-family: garamond, times new roman, serif;\"\u003e\u003c\/span\u003e\u003c\/a\u003e\n\u003c\/div\u003e","brand":"Maider López","offers":[{"title":"Default Title","offer_id":51625914237275,"sku":"Ukitu","price":42.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/files\/Ukitu-portada_recortada.png?v=1765275237"},{"product_id":"sofia-ayarzagoitia","title":"El menso metió la cabeza en un hormiguero","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eThrough the visual diary of a journey across different countries in Latin America with her partner —a person with albinism—, Sofía Ayarzagoitia’s work explores what it means to inhabit difference in a world determined to correct it.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eMoving between landscapes and portraits, the project goes beyond the realm of intimacy to enter the field of science, particularly genetics and contemporary technologies capable of intervening in bodies through the modification of DNA.\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eIn El menso metió la cabeza en un hormiguero [The Fool Put His Head into an Ant Hill], the Mexican photographer offers a deeply personal perspective on the body as an affective and political territory, reaffirming her commitment to a visual language that oscillates between closeness and estrangement.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e\u003cem\u003eSofía Ayarzagoitia (Monterrey, Mexico, 1987) is interested in photography with a performative dimension that nonetheless has its roots in the documentary tradition. This performative quality emerges from the empathetic relationship she establishes with her subjects.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e\u003cem\u003eMuch of her work revolves around intimacy and the themes that arise from it, maintaining a necessary link between art and life. Through her practice, she seeks to articulate her existential and psychological journey, while also exploring the fine line between memory and fiction, as well as notions of time and space.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e\u003cem\u003eIn 2015, she earned a BA in Contemporary Photography from Universidad LaSalle College International in Monterrey and completed postgraduate studies at Chung-Ang University in Seoul. She also completed the European Master in Artistic Photography at IED (Istituto Europeo di Design) in Madrid. She has participated in numerous group exhibitions in Mexico and internationally. In 2016, she was nominated for the Paul Huf Award and received first prize at the 17th Photography Biennial of Centro de la Imagen (Mexico City). Her first monograph, \u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eEvery night temo ser la dinner\u003c\/span\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e\u003cem\u003e, was published by La Fábrica in 2016. \u003c\/em\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003eEl menso metió la cabeza en un hormiguero\u003c\/span\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e\u003cem\u003e, her second book, was the winning project of the Fotocanal open call organized in 2025 by the General Subdirectorate of Fine Arts of the Community of Madrid and Dalpine.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e\u003cbr\u003eISBN 978-84-09-78526-1\u003cbr\u003eDalpine\/CAM, 2026\u003cbr\u003eDesign: Nerea G. Pascual\u003cbr\u003ePre-press: Arena\u003cbr\u003ePrinting: Artes Gráficas Palermo\u003cbr\u003e24x17 cm\u003cbr\u003e124 pages\u003cbr\u003e105 photographs\u003cbr\u003eSoftcover with flaps\u003cbr\u003eLanguage: Spanish\/English\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan lang=\"EN-GB\" style=\"mso-ansi-language: EN-GB;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Sofía Ayarzagoitia","offers":[{"title":"Default Title","offer_id":52110505443675,"sku":"Menso","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/files\/El_Menso_-_portada.png?v=1769502213"},{"product_id":"philip-perkis-ensenar-fotografia","title":"Enseñar fotografía. Notas reunidas","description":"\u003cp\u003e\u003cstrong\u003e**This title is only available in Spanish**\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe teaching career of American photographer Philip Perkis (1935–2025) was shaped over four decades at institutions such as Pratt Institute, Cooper Union, and the School of Visual Arts. In this volume, first published in 2001 by OB Press, the author distills his knowledge into reflections on visual perception, photographic exercises, and practical advice on teaching photography.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe sharp and insightful observations in \u003cem\u003eTeaching Photography: Notes Assembled\u003c\/em\u003e aim to stimulate and inspire. Through them, Perkis champions photography as an autonomous form of artistic expression and raises a series of questions that invite reflection and open up debate, encouraging teachers and photographers alike to take risks. Devoid of images, the book prompts the reader to exercise the mind’s capacity to visualize—an essential tool in the art of making photographs.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePhilip Perkis began photography in the U.S. Air Force in 1957 while serving as B36 tail-gunner. Attended San Francisco Art Institute, studied with Ansel Adams, Dorothea Lange, and John Collier Jr. Went to New York in 1962. He taught at many schools and offered numerous workshops around the world. Served as Chair of Photography, Pratt Institute. He was part of the graduate faculty at the \u003ca\u003e\u003cspan class=\"gmail-s2\"\u003eSchool of Visual Arts\u003c\/span\u003e\u003c\/a\u003e and \u003ca\u003e\u003cspan class=\"gmail-s2\"\u003eTisch School of the Arts\u003c\/span\u003e\u003c\/a\u003e, \u003ca\u003e\u003cspan class=\"gmail-s2\"\u003eNew York University\u003c\/span\u003e\u003c\/a\u003e. Guggenheim Fellow, NEA and CAPS grants. Numerous solo and group exhibitions. Work is represented in many museum collections. \u003c\/em\u003eWarwick Mountain Series \u003cem\u003e(Nexus Press, Atlanta, 1978); \u003c\/em\u003eThe Sadness of Men \u003cem\u003e(Quantuck Lane Press, New York, 2008); \u003c\/em\u003eConversation with Philip Perkis\u003cem\u003e (anmoc, Seoul, 2009); \u003c\/em\u003eIn a Box Upon the Sea\u003cem\u003e (anmoc, Seoul, 2015); \u003c\/em\u003eMexico\u003cem\u003e (anmoc, Seoul, 2019); \u003c\/em\u003eOctave\u003cem\u003e (in collaboration with Cyrilla Mozenter, anmoc, Seoul, 2020); \u003c\/em\u003ear \u003cem\u003e(in collaboration with Cyrilla Mozenter, AC Books, San Diego, 2023); \u003c\/em\u003eNotan\u003cem\u003e (anmoc, Seoul, 2024). The first edition of \u003c\/em\u003eTeaching Photography: Notes Assembled\u003cem\u003e was published in 2001 by OB Press. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eISBN 978-84-09-83583-6\u003cbr\u003eDalpine, 2026\u003cbr\u003eTranslation into Spanish: Bandia Ribeira Cendán\u003cbr\u003eProofreading: Gemma Deza Guil\u003cbr\u003eDesign: Jaime Narváez\u003cbr\u003eSoftcover\u003cbr\u003e80 pages\u003cbr\u003e14 x 21 cm\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Philip Perkis","offers":[{"title":"Default Title","offer_id":52847346254171,"sku":"Perkis","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/files\/Philip_Perkis_-_Ense_ar_fotograf_a._Notas_reunidas.png?v=1778174174"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/collections\/books-629348.jpg?v=1679851966","url":"https:\/\/www.dalpine.com\/en-eu\/collections\/dalpine.oembed?page=5","provider":"Dalpine","version":"1.0","type":"link"}