{"title":"Iñaki Garmendia","description":"\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-GB; mso-fareast-language: ES-TRAD;\"\u003eIñaki Garmendia \u003c\/span\u003e\u003cspan lang=\"EN-US\" style=\"font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: ES-TRAD;\"\u003e(Ordizia, 1972) \u003c\/span\u003e\u003cspan lang=\"EN-GB\" style=\"font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-GB; mso-fareast-language: ES-TRAD;\"\u003ebelongs to a generation of Basque artists who have carried out their work in a context marked by paradoxical trends: cultural nationalism and globalisation have provided the ingredients for an aesthetic in which diverse meanings often overlap. Video, music, youth subcultures and certain industrial products heighten the tension between the different readings of his work. His processes often begin with the creation of derivatives, versions of cultural objects to which he remains secretly attached and on which he works following a logic of attrition. This is most apparent in his video production over the past 20 years. The extensive footage with which he typically presents his works seems to plunge us into the very event captured by the camera. Despite this, his works remain opaque, void of a traditional narrative, and exist within some sort of abstraction reminiscent of one of the most basic principles of expanded cinema. Furthermore, his tendency towards punk-derived aesthetics lends a certain resistance to orality to his work. Overall, Garmendia’s works avoid an immediate ascription of meaning and reject the instrumentalization of presignified images and scenes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"ES\" style=\"font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: ES; mso-fareast-language: ES-TRAD;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"ES\" style=\"font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: ES; mso-fareast-language: ES-TRAD;\"\u003eIñaki Garmendia has participated in a number of exhibitions, including \u003c\/span\u003e\u003cspan lang=\"ES\" style=\"font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Tahoma; mso-ansi-language: ES; mso-fareast-language: ES-TRAD;\"\u003e“\u003c\/span\u003e\u003cspan lang=\"ES\" style=\"font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: ES; mso-fareast-language: ES-TRAD;\"\u003eCine y casi cine\u003c\/span\u003e\u003cspan lang=\"ES\" style=\"font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Tahoma; mso-ansi-language: ES; mso-fareast-language: ES-TRAD;\"\u003e”\u003c\/span\u003e\u003cspan lang=\"ES\" style=\"font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: ES; mso-fareast-language: ES-TRAD;\"\u003e at \u003c\/span\u003e\u003cspan lang=\"EU\" style=\"font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; mso-fareast-language: ES-TRAD;\"\u003ethe Museo Nacional Centro de Arte Reina Sofía\u003c\/span\u003e\u003cspan lang=\"ES\" style=\"font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: ES; mso-fareast-language: ES-TRAD;\"\u003e (MNCARS), and \u003c\/span\u003e\u003cspan lang=\"ES\" style=\"font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Tahoma; mso-ansi-language: ES; mso-fareast-language: ES-TRAD;\"\u003e“\u003c\/span\u003e\u003cspan lang=\"ES\" style=\"font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: ES; mso-fareast-language: ES-TRAD;\"\u003eDesprés de la noticia\u003c\/span\u003e\u003cspan lang=\"ES\" style=\"font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: Tahoma; mso-ansi-language: ES; mso-fareast-language: ES-TRAD;\"\u003e”\u003c\/span\u003e\u003cspan lang=\"ES\" style=\"font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: ES; mso-fareast-language: ES-TRAD;\"\u003e at the Centre de Cultura Contemporània de Barcelona (CCCB). \u003c\/span\u003e\u003cspan lang=\"EN-GB\" style=\"font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-GB; mso-fareast-language: ES-TRAD;\"\u003eIn 2004, he took part in the International Studio \u0026amp; Curatorial Program (ISCP) in New York, the VI Yugoslav Biennial of Young Artists, Manifesta 5 and Underdox 3. Document und experiment festival in Munich. In 2006, he published the book \u003ci\u003eOnly Kids Love Other Kids\u003c\/i\u003e. In 2011, he carried out a project at the Contemporary Image Collective (CIC) in Cairo and exhibited at La Virreina Centre de la Imatge in Barcelona. In 2014, he exhibited at Tenderpixel in London. At present, his works are exhibited at the Museu d’Art Contemporani de Barcelona (MACBA), the Museo de Bellas Artes de Bilbao (\u003ci\u003ebilbao museoa\u003c\/i\u003e), the Centro Galego de Arte Contemporáneo (CGAC), the Museum of Contemporary Art of the Basque Country (\u003ci\u003eArtium Museoa\u003c\/i\u003e) and the Guggenheim Museum Bilbao. Between 2003 and 2007, he organised Eat THIS Document! in collaboration with artists Asier Mendizabal and Mark Chandler, a series of independent, self-organised screenings of rock documentaries in his studio in Bilbao. In 2021, he presented \u003ci\u003eRatatatat\u003c\/i\u003e and Foku #1 in the ATOI space (Tractora Koop) in Bilbao. In 2023, he intervened in the Tíboli 15 space in Bilbao with his project \u003ci\u003eTramar lo gótico. N634\u003c\/i\u003e, and joined the Technical Commission of \u003ci\u003eeremuak\u003c\/i\u003e, a space dedicated to advancing the contexts in which artistic practices take place in the Basque Country. He is currently working on an exhibition project at the Oteiza Museum in Alzuza (Navarra).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-family: 'Aptos',sans-serif; mso-ansi-language: EN-GB;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-GB; mso-fareast-language: ES-TRAD;\"\u003ehttps:\/\/foku.info\/en\/bibliografia\/inaki-garmendia-en\/\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-family: 'Aptos',sans-serif; mso-ansi-language: EN-GB;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\" style=\"font-family: 'Aptos',sans-serif; mso-ansi-language: EN-GB;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"carnage-visor-vvv-inaki-garmendia","title":"Carnage Visor VVV","description":"\u003cp class=\"MsoNormal\"\u003e\u003ci\u003e\u003cspan lang=\"EN-GB\"\u003eCarnage Visor VVV \u003c\/span\u003e\u003c\/i\u003e\u003cspan lang=\"EN-GB\"\u003epresents a visual record of artist Iñaki Garmendia’s extensive unpublished video and documentary material. Spanning 120 pages, including 23 documents that serve as markers, the book selects and arranges diverse materials into a continuous sequence based on four case studies: Faux départs: Mariaratz\/Arkaka [also known as “video of the dam”], Villas Vascas, Fourteen-Years-Old-Runaway-Boy and Txitxarro\/Bolueta Front 242. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003eAs in his video works, here the relationships established by Garmendia between diverse materials –photographs, stills, texts, photocopies– and the unique sequencing of the book’s contents –from the Basque landscapes and architecture to the nighttime recording of a body inside a car or the series of photographs taken in the Txitxarro nightclub– allow for multiple readings. We bear witness to a series of events, some real and some enacted, whose meaning is disrupted. Faced with the aesthetic and referential universe created by Garmendia, the reader’s perception is key in establishing a narrative that gives them continuity.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003eThe book also includes a fifth case study presented separately as an annex: a series of images of the intervention and exhibition project “Tramar lo gótico. N-634”, carried out in collaboration with BeAr Architects in Travesía de Tívoli (Bilbao) in November 2023.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cem\u003e\u003cspan style=\"font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-GB; mso-fareast-language: ES-TRAD;\" lang=\"EN-GB\"\u003eIñaki Garmendia \u003c\/span\u003e\u003cspan style=\"font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-US; mso-fareast-language: ES-TRAD;\" lang=\"EN-US\"\u003e(Ordizia, 1972) \u003c\/span\u003e\u003c\/em\u003e\u003cspan style=\"font-family: 'Aptos',sans-serif; mso-fareast-font-family: 'Times New Roman'; mso-bidi-font-family: 'Times New Roman'; mso-ansi-language: EN-GB; mso-fareast-language: ES-TRAD;\" lang=\"EN-GB\"\u003e\u003cem\u003ebelongs to a generation of Basque artists who have carried out their work in a context marked by paradoxical trends: cultural nationalism and globalisation have provided the ingredients for an aesthetic in which diverse meanings often overlap. Video, music, youth subcultures and certain industrial products heighten the tension between the different readings of his work. His processes often begin with the creation of derivatives, versions of cultural objects to which he remains secretly attached and on which he works following a logic of attrition. This is most apparent in his video production over the past 20 years. The extensive footage with which he typically presents his works seems to plunge us into the very event captured by the camera. Despite this, his works remain opaque, void of a traditional narrative, and exist within some sort of abstraction reminiscent of one of the most basic principles of expanded cinema. Furthermore, his tendency towards punk-derived aesthetics lends a certain resistance to orality to his work. Overall, Garmendia’s works avoid an immediate ascription of meaning and reject the instrumentalization of presignified images and scenes.\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eISBN: 978-84-09-61775-3\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eFirst edition, Dalpine, 2024\u003c\/span\u003e\u003cspan lang=\"EN-GB\"\u003e\u003cbr\u003eImages \u0026amp; editing: Iñaki Garmendia\u003cbr\u003eDesign: Pierre Hourquet\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003ePrinting: Artefacto \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: EN-US;\" lang=\"EN-US\"\u003eSoftcover\u003cbr\u003e120 pages + 8-page annex\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: ES;\" lang=\"ES\"\u003e29x21 cm\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"mso-ansi-language: ES;\" lang=\"ES\"\u003eLanguage: Spanish\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-ansi-language: ES;\" lang=\"ES\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan lang=\"EN-GB\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Iñaki Garmendia","offers":[{"title":"Default Title","offer_id":48970779787611,"sku":"9788409617753","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/files\/CARNAGE_Dalpine_01.png?v=1727196659"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1876\/2469\/collections\/DSC2639_txitxarrophotoshop.jpg?v=1727171601","url":"https:\/\/www.dalpine.com\/en-es\/collections\/inaki-garmendia.oembed","provider":"Dalpine","version":"1.0","type":"link"}